Monday musings on new ideas for books
By M.L. Doyle
It never fails. I usually get hit with the good idea stick when I’m at my desk … at my day job.
Like most indie authors, I don’t make millions writing books (don’t I wish), so I have to earn a living doing something not as fun or as cool or as fulfilling as writing books. Ah well.
That said, it’s at the job where I actually earn a living that I get ideas for the job that isn’t responsible for putting food on the table. I’ve never asked, but I’m guessing my real employer wouldn’t be too happy with me dashing off a chapter or two while I’m supposed to be doing what I get paid to do.
It’s frustrating as hell.
Between having the first two books in my Desert Goddess series made into audio books, I’m sketching out ideas for book three. I’d been rolling a bunch of ideas around but hadn’t really landed on anything that was worthy of a jumping-off point. Until, off course, I got to work.
It felt as if, as soon as I booted up my computer, opened Outlook and started scanning through the piles of emails that would govern my day, that Hester, Gilgamesh, Sarah, Reuben, Quincy, Rashid and everyone else in my made-up world, demanded my attention. The opening scene unfolded. The emotion and atmosphere made themselves real. I could hear Hester in my head and the new character that will make his debut in this book, finally became a solid, fleshed-out human. For the first time, I could see his thoughts, could feel his fatigue, his hunger and confusion. He finally took shape and I knew exactly how I would make him work.
I grabbed a post-it pad, scribbled a quick tease of the ideas, and stuck them in a notebook. Throughout the morning, between meetings, phone calls, discussions with colleagues, I kept scribbling ideas and setting them aside for later. By the end of the day, I had a decent stack.
At home, I spent some time sticking the post-its to the wall, moved them around, tried to build a bit of a timeline. There is still a lot of work to do plot-wise, but I’m finding the sticky note method works for me.
Once I sat down to write, I flew through the words that tied all of those ideas together. Chapters one and two were done in a flash.
Writing and my day job, for obvious reasons, have to be separate, but I’ve yet to figure out how to tell my brain to stop firing when I get to the office. I’m not even going to try.
calls on her years of serving as an Army Reservist to write about women in combat boots. She co-authored the memoirs of two brave soldiers to ensure their stories keep their proper place in history. Her work with Spec. (Ret) Shoshana Johnson, an African-American POW of the Iraq War, was finalist in the NAACP Image Award. She also co-authored with Brig. Gen (Ret.) Julia Cleckley the story of her rise through Army ranks from humble beginnings and despite great personal tragedy.
Mary has written the three-book Master Sergeant Harper mystery series, and Limited Partnerships, a four-novella erotic romance series. Her latest release, The Bonding Blade, is the second book in her Desert Goddess urban fantasy series.
Mary’s essays, reviews and interviews have appeared in The War Horse, The Wrath-Bearing Tree, The Goodman project and O-Dark Thirty.