Welcome to autumn!

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Photo by Alex Geerts on Unsplash

The beginning of fall always feels like a time for starting projects anew, to get serious about accomplishing things again. 

The lazy summer is over. Vacation is finished. No more languid days watching the world pass by. It’s time to get back to work, get serious again. Time to complete projects and launch new ones. 

Yes, I know this is a week ahead of the official beginning of autumn, but at least where I live, it’s felt like fall for a couple of weeks, already.

September is—traditionally—the time when children go back to school. 

Universities start up again. The harvest season gets serious. 

This year takes this whole feeling to a new level, as schools and businesses reopen after months of lockdown. At the same time, this reopening is fraught with pandemic, attendant restrictions and unprecedented natural and human-made disasters.

Whether you agree that reopening schools and businesses is a good idea, or that we’re ready to do it safely, it’s happening. But then, that’s life—it happens whether you agree with it or not.

Something else that’s going to happen no matter that many people oppose it is the ramping up of marketing and advertising in preparation for the holiday buying season. That’s right: despite the strenuous, if predicable opposition, the Christmas season is also the commercial season. It’s the time when the retail industry makes its money for the whole year, and books are no exception.   

On the up side, if you choose to go along with it, there’s an undeniable feeling of new energy to tap into. 

New books and projects

We can see this with writers, too. You can expect a deluge of new titles on your physical and electronic bookshelves over the next couple of months. 

Sonder

Prolific poet and author D.G. Torrens always has one or two book projects on the go. Her latest collection of prose and poetry, Sonder, will be available before the end of the month. She’ll soon follow that with Chasing Fireflies. Dawn is also planning a psychological thriller-romance novel, with the working title Blindsided.

Fifteen Times a Killer

Alan McDermott is one of our busiest members. His Tom Gray prequel, Gray Genesis came out in June 2020, following close on the heels of Motive in March—which could be the first in a new series.

And he has just completed the writing, editing and cover design of a new novel, Fifteen Times a Killer, his first foray into a police procedural set in the U.S.A. 

The Children of the Seventh Son

Scott Bury has also been busy through the lockdown months. He has completed the sequel to his first-published novel, The Bones of the Earth, and readers can look forward to The Children of the Seventh Son within a few weeks. Like its predecessor, this novel combines historical research with high fantasy and transports readers to the  seventh-century Eastern Roman Empire.

Dead Man Lying

Fans of FBI Special Agent Vanessa Storm will be thrilled about her return to the rain-soaked Hana shores of Maui. This time, she’s investigating the death of a country music star. But what starts as a formality quickly becomes a morass of deceit, drugs and multiple murders.

Members to watch

Other members have books approaching completion.

David C. Cassidy: Two new novels, Gateway and 1944.

DelSheree Gladden: Memory’s Edge 2.

Raine Thomas: Never content with one book project in the works, the multi-genre author is working on a six-volume hockey romance series, a dystopian murder mystery series and a new addition to her Estilorian fantasy series. 

Seb Kirby, the master of psychological suspense, is working on two new books: a science-fiction thriller and a legal thriller.

Keep coming back to this blog to be the first to get more details about great reading for the fall!

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To create the perfect book

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It’s been said that no artist is ever satisfied with their work. And I think that’s just as true for writers.

I know that, once they’re out there in front readers, there is always something that I wish I had done differently with every one of my books.

For my first published book-length fiction, The Bones of the Earth, there are some things that still bother me about it. Even eight years after its release.

I wish I had included more description of the environmental damage done by civilization, even in the sixth century. For example, both Rome and Constantinople had to import most of their grain from Egypt and the province of Africa; bad farming practices and heavy urbanization had rendered the land around the big cities unable to produce enough food for the urban populations.

I did address this more in the sequel to The Bones of the Earth, the imminent The Children of the Seventh Son.

I also wish I written more about griffins. I put one into Part 1 of the story. I intended it to represent celestial or sky powers, as opposed to the chthonic or earthly gods. However, by the time I got deep into parts 2 and 3, somehow I forgot. Also, there are already a lot of fantastical creatures in it.

A griffin from a medieval tapestry now in Basel, Switzerland. Source: Wikipedia.

Also, I wish I had known more about covers for commercial fiction: would have liked my name to be in larger type.

However, Bones was not my first published fiction. That was a story that looks like it’s for children, Sam, the Strawb Part. It’s about a young boy who loves strawberries so much, that he dresses as a pirate and attaches a skull-and-crossbones flag to his bicycle, then uses it to rob local mothers of strawberries.

I just wish, now, that the tone had been a little less acerbic, and the story a little more suitable for children to enjoy.

The good news

That’s the thing about publishing today: you can change your books after they’re written. Re-publishing an e-book means that even the people who bought or downloaded it before the change will get the new version.

And the paperbacks are print-on-demand. There are no great stacks of books in a warehouse somewhere, so producing new versions will not require wasting the original editions.

Dr. Malcolm’s question

Then there’s the question that Jeff Goldblum’s character asked in Jurassic Park: I can go back and change books and stories that are already in readers’ hands—but should I? Will those people have a different reaction? Will a slight improvement bring more readers to the book?

My first job after university was as a book editor for one of the major publishers. On my first day, I asked my boss, the chief editor, if the goal was to produce the perfect book.

He laughed.

To this day, I have not come across a single book that did not have something wrong with it. Some error, at least a typo.

I know that every time I go through a manuscript I have already edited and re-written, I find something to change. A typo that I missed, a reversed quotation mark, an awkward phrase.

If I make a lot of changes and what I think are improvements, will I just find yet more problems or errors? Worse, will I create more problems?

What if what I think as such a huge, glaring problem is something that readers barely notice?

So should I revise old books, or move on and write new and better ones?

What do you think? Leave an answer in the Comments, below.

Scott Bury

can’t stay in one genre. After a 20-year career in journalism, he turned to writing fiction. “Sam, the Strawb Part,” a children’s story, came out in 2011, with all the proceeds going to an autism charity. Next was a paranormal short story for grown-ups, “Dark Clouds.”

The Bones of the Earth, a historical fantasy, came out in 2012. It was followed in 2013 with One Shade of Red, an erotic romance.

He has several mysteries and thrillers, including Torn RootsPalm Trees & Snowflakes and Wildfire.

Scott’s articles have been published in newspapers and magazines in Canada, the US, UK and Australia.

He has two mighty sons, two pesky cats and a loving wife who puts up with a lot. He lives in Ottawa, Ontario.

Learn more about Scott on his:

Website   |   Blog    |  Facebook    |   Twitter

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Writing means rewriting

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By DelSheree Gladden

Writing and rewriting go hand in hand. Over the years, rewriting takes up less time, for most writers anyway. When first starting out, though, rewriting scenes, characters, or whole books will eat up a big chunk of most writers’ time.

My first serious attempt at writing a novel was at sixteen years old. I wrote the entire first draft of what eventually became Escaping Fate in a half-sized spiral notebook with a variety of ink colors. When I typed it up, it only came out to about 35,000 words. It wasn’t enough to really make a full novel.

At the time, I pretty much gave up on it and worked on other projects. A year or so later, I came across that battered notebook and reconsidered whether or not it was worth continuing to work on.

I started reading back through the story to see if there were changes that could be made to increase the length and flesh out the characters and story a little more. The main story in that first draft focused on Arrabella and her grandfather unraveling the mystery of Arra’s threatening dreams. There were very few side characters or scenes outside of their investigation.

The story needed to be fleshed out, so I started a massive rewrite where I limited the role of the grandfather and brought in a new friend, Tanner, who is also a love interest. Shifting the role of the grandfather allowed me to add new scenes and give Arra more personality through her interactions with Tanner. Tanner was also able to help Arra get to know the town a little better, and mention future characters she would meet in the second book when school started.

Overall, I was really happy with the changes, so I sent it out to agents and publishers.

And it got rejected by everyone.

At that point, my life was really busy with school and family, including a toddler. I put the novel aside for several years. When I dug it back out, I had two toddlers, but I was ready to give it one last shot.

This final look-through resulted in another full rewrite, including changing the point of view from third person to first. I brought the grandfather back into the story a little more, expanded on the dreams and completely redid the ending to make it more satisfying as well as lead into the next book.

When I was finally completely happy with the book, I decided to forgo the process of pitching to agents, and published the book independently. This whole process took ten years, but it was worth the wait and the lessons I learned along the way.

Escaping Fate

Escaping Fate Series, Book 1

Turning sixteen should mean driving, dating, and breaking curfew. It should never mean certain death. Arrabella’s excitement for her upcoming birthday is swallowed up by not only her dismay at being moved to a tiny little town in the middle of nowhere, but by the terror of the dreams that assault her every night. Stalking her dreams, the raven haired beauty warns her, taunts her, as she is paraded toward her death.

Desperate for answers, Arrabella turns to her grandfather, the only one willing to delve into her family’s dark past. Warning her that once she takes the first step, there is no going back, Arrabella’s grandfather begins to unwind their awful heritage. The only joy she finds in the week leading up to her death is meeting Tanner Wheeler, a young man she barely knows but is immediately drawn to.

A story of selfish betrayal reaching back to an age of merciless gods and blood sacrifice, Arrabella’s world is sent into a deadly spiral.

Find it on

DelSheree Gladden

was one of those shy, quiet kids who spent more time reading than talking. Literally. She didn’t speak a single word for the first three months of preschool, but she had already taught herself to read.

Her fascination with reading led to many hours spent in the library and bookstores, and eventually to writing. She wrote her first novel when she was sixteen years old, but spent ten years rewriting and perfecting it before having it published.

Native to New Mexico, DelSheree and her husband spent several years in Colorado for college and work before moving back home to be near family again. Their two children love having their seventeen cousins close by. When not writing, you can find DelSheree reading, painting, sewing and trying not to get bitten by small children in her work as a dental hygienist.

Check out her latest books, get updates and sneak peeks of new projects at

And find her on social media

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An author withdraws

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Bestselling member M.L. Doyle explains what of today’s circumstances have convinced her to put down her pen.

I will not be writing fiction or much of anything else for the foreseeable future. 

I know withdrawing from writing fiction at this time won’t make much of a difference in the scheme of things. My readers haven’t read anything new from me for almost a year already. The last time I posted to this blog was in April. There are millions of fantastic books and short stories out there to keep everyone entertained forever. I have no illusions that anything new I might produce would be missed. 

I’m not boycotting the writing world as some kind of call to action, nor do I think declaring an end to my fiction writing will result in some kind of change that will impact how people think. Between the pandemic and the arguments over masks, the lives lost and the massive economic hardships millions are facing, my imaginary characters, their lives, their issues …  well, who gives a shit? Certainly not me. 

Every single day I’ve felt guilt and insecurities because I can’t do more than stare at the empty page. I wish I could fill it with my fear, frustration and the extreme anxiety that washes over me every time I consider what will happen to my country, to the world, if the same thing happens in November 2020 that happened in November 2016. If the politics aren’t enough, watching George Floyd die and the callous indifference on Chauvin’s face broke me. I didn’t think I could take one more story of police brutality and the wrongful deaths of innocents at the hands of people who simply didn’t care. Then there was Breonna Taylor and Elijah McClain and Venessa Guillen, a sister in arms whose murder inexcusably went unsolved for so long even when the killer was the most obvious person imaginable. If her murder had been a novel, readers would have excoriated the author for making the solution to the puzzle so damn obvious.

Why is it so hard for Americans to wear a damn mask? How could parents support a president who demands they send their children into virus riddled infection chambers? How do we allow news organizations to spread propaganda against Black Lives Matter as if this civil rights group is some sort of terrorist organization? How is it okay for the party of POTUS to put a mentally ill rapper on the ballot in a scheme to draw votes from his opponent? How do we allow our neighbors or, more importantly, our employees to scream the N word and call the police on people simply for walking down the street? How does anyone make excuses for people who stand on their front lawn and point weapons at people exercising their first amendment rights? Did that cop really think it made things better to help a 16 year-old girl sit up, after he made her and her sisters lay face down on the ground and put handcuffs on them? And even after people from around the world have expressed their anger, shock and horror over our handling of this pandemic, and indeed, ban Americans from visiting most countries around the world because of it, how can the architect of this disaster claim we are the envy of the world? Worse, how can his followers think this is all okay? 

The horrific destruction left in the wake of the explosion in that Beirut warehouse seems almost representative of the collective pressure we are all facing. I’ve had enough. 

Every single day my frustration and feelings of helplessness have grown in the face of all of this madness.  At the same time my guilt over not being able to put words on a page multiplied exponentially. The horrific destruction left in the wake of the explosion in that Beirut warehouse seems almost representative of the collective pressure we are all facing. I’ve had enough.

I wish I could control the fear so many millions feel over their need for that extra $600 congress can’t come to an agreement on. I wish I could control the guilt some cops may be wrestling with as they start to understand the realities of the systematic racism they have unknowingly supported. I wish I could control the risk to health so many teachers will face. I wish I could control the gut-wrenching feelings low income, hardworking parents must be facing who know their children won’t get the homeschooling they need. I wish I could have control over how much further behind those low income kids will become. I wish I could control the hatred in the hearts of so many who become incensed, outraged and violent over a simple demand that no lives matter until Black, Brown and Native lives matter.     

I know that many people share my frustration and feelings of helplessness in the face of all of this. By saying I’m not going to write anymore, I’m finally taking control of the one stone of guilt I can lift off my shoulders. Unlike COVID or federal troops on the streets or those who refuse to wear masks or the lunatic in the White House and all of the evil monsters who support him, this one thing, the guilt I feel over my inability to write, I can control. So I will.

M.L. Doyle

has served in the U.S. Army at home and abroad for more than two decades as both a soldier and civilian.

Mary is the author of The Desert Goddess series, an urban fantasy romp consisting of The Bonding Spell and The Bonding Blade. She has also penned The Master Sergeant Harper mystery series which has earned numerous awards including an IPPY, a Lyra Award and the Carrie McCray Literary Award.

Mary is the co-author of two memoirs: A Promise Fulfilled: the story of a Wife and Mother, Soldier and General Officer (January 2011) and the memoir, I’m Still Standing: From Captive U.S. Soldier to Free Citizen—My Journey Home (Touchstone, 2010), which was nominated for an NAACP Image award.

Mary’s work has been published by The Goodman Project, The War Horse, The WWrite Blog and The Wrath-Bearing Tree, an online magazine for which she serves as a fiction editor.

A Minneapolis, Minnesota native, Mary current lives in Baltimore. You can reach her at her website at mldoyleauthor.com.

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Getting inspired in uninspiring times

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Monday musings by the bestselling

by Raine Thomas

Photo by Kristopher Roller on Unsplash

The world is changing moment by moment, but if you’re like me and still homebound due to COVID-19, you might feel like every day is the same. I’ve begun to understand with far too much clarity why Bill Murray’s character in Groundhog Day slowly lost his mind. This repetitive lifestyle can be stifling!

For a writer, inspiration is critical. It’s what helps us sit in front of our computers for hours on end writing stories and developing characters. When those creative juices aren’t flowing, the work comes to a grinding halt. So how does one find inspiration in the uninspiring?

The great news is that most of us have access to inspiration everywhere, even within the confines of our homes. We can find it within the pages of books and magazines, while listening to the lyrics of the latest hits on the radio, by engaging in conversations with our family members and friends, and scrolling through social media. We can even open our windows and look outside for a change—unless, like me, you live in Florida where it rains nearly every day between May and November.

I, of course, have to mention movies and television as sources of inspiration. I’ve been researching sports and athletes for future story ideas, but with all professional sports currently on a COVID hiatus, I’ve had to get creative to find the inspiration I need. Hello, YouTube! Amidst my family’s constant eye-rolling, I’ve watched hours of sports highlights and fails over the past couple months.

Sometimes, we can even find inspiration within ourselves. My upcoming release, For the Win, is a baseball romance. I started the basic outline of the book years ago. Even the book cover has been done for a couple years, just waiting for inspiration to strike. My other writing projects ended up taking precedence, however.

Until COVID hit.

It seems having my hours cut in my full-time event planning job finally gave me the kickstart to write this story. It was like the characters woke up from a deep sleep and all started talking to me at once. I finished the first draft in five weeks, and with all humility aside, it’s already become one of my favorite books I’ve ever written. The beta feedback has been incredible! It makes me wonder why it took so long for that inspiration to strike.

My advice? If you’re struggling to find inspiration through some of the ways I mentioned above, dig through your archives. You’re bound to have first drafts of projects you started and never finished. Dust them off, give them a review, and see if one of them finally speak to you. You might have a future hit on your hands!

These times are unpredictable, my friends. Let’s use that to our advantage. Find inspiration wherever you can and use it to make some magic in this crazy world of ours!

Raine Thomas

Raine Thomas, new adult, young adult and romance

Raine Thomas is the award-winning author of bestselling Young Adult and New Adult fiction. Known for character-driven stories that inspire the imagination, Raine has signed with multiple award-winning producer Chase Chenowith of Back Fence Productions to bring her popular Daughters of Saraqael trilogy to the big screen.

She’s a proud indie author who is living the dream. When she isn’t writing or glued to e-mail or social networking sites, Raine can usually be found vacationing with her husband and daughter on one of Florida’s beautiful beaches or crossing the border to visit with her Canadian friends and relatives.

Get to know Raine on her

And follow her on Twitter @Raine_Thomas.

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Interesting times

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Monday musings

Photo by Jack Hunter on Unsplash

By Scott Bury

“May you live in interesting times” is often identified as a curse. And while the current time is fraught with fear, division, violence and illness, it’s also interesting.

Not to belittle or dismiss the seriousness of the crises affecting people. The hundreds of thousands of deaths around the world, the millions of cases of covdid-19 and other illnesses, the violence and fear felt in cities across the U.S. and other countries.

Not to mention the tens of millions of people, men, women and children living as refugees around the world. People living in war zones, people working in unsafe mines and fields and factories. 

Crises have a way of putting stresses under a magnifying glass, of making strengths and flaws more apparent. 

But these times are also interesting because it’s clear our society is at a crossroads, a point of choosing a path. 

Maybe it’s more like flocks of birds that somehow maintain cohesion as a group, while each member is flying its own path. Each one responds to its own perception of threat and opportunity and the wish to remain a part of its group.

From YouTube

People don’t act much different from this. Each of us choices each of us make in response to threat and opportunity, and our desire to be part of a group. 

The question: How will this look from the future?

What we historians make of this time?

How will fiction writers describe it?

Will the novel coronavirus pandemic bring long-term changes in social behavior and norms?

From a more light-hearted perspective, will it change romance writing? Will masks become seen as a normal part of human interaction? Will deciding to get closer than two metres/six feet become a regular part of a developing relationship? 

On the political side, will the coming days see people choosing the path of reconciliation and unity, or deeper divisions?

Too soon to tell

It’s impossible to write meaningfully about the direction of shifts in society and politics from the middle of it. 

But journalists do write meaningful analyses from the midst of crises. Here are just a few examples:

  • Jack Reed’s Ten Days the Shook the World written during the Russian Revolution of 1917
  • Ernest Hemingway’s The Fifth Column written while he was covering the Spanish Civil War Michael Maclear’s The Ten Thousand Day War about Vietnam 
  • George Packer’s The Assassins Gate about the Iraq War, written in 2005

The list goes on. 

Still, we will need some perspective to know which path society chooses. There will doubtless be some elements on both paths. And we won’t know for some time which will prevail. 

And no doubt, these books, fiction and non-fiction, will be interesting.

Scott Bury

can’t stay in one genre. After a 20-year career in journalism, he turned to writing fiction. “Sam, the Strawb Part,” a children’s story, came out in 2011, with all the proceeds going to an autism charity. Next was a paranormal short story for grown-ups, “Dark Clouds.”

The Bones of the Earth, a historical fantasy, came out in 2012. It was followed in 2013 with One Shade of Red, an erotic romance.

He has several mysteries and thrillers, including Torn RootsPalm Trees & Snowflakes and Wildfire.

Scott’s articles have been published in newspapers and magazines in Canada, the US, UK and Australia.

He has two mighty sons, a pesky cat and a loving wife who puts up with a lot. He lives in Ottawa, Ontario.

Learn more about Scott on his:

Website   |   Blog    |  Facebook    |   Twitter

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