Thursday teaser: The Quisling Factor

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A look at the brand new book set in postwar Norway

By J.L. Oakley

Haugland’s eyes snapped open in the dark. Cocking his head toward the direction of the sound he had thought he heard, he listened long and hard. The house was utterly still and the room deep in inky shadows.  Next to him, Anna was sound sleep on her side, her cotton nightie brushing against his bare legs. All a normal and perfectly safe feeling, but the war years had trained him to sleep lightly and something had disturbed him. Carefully, he moved away from her and slipped out of bed.

From a chair, he removed a pullover and put it on over his boxer shorts. He stood still for a moment and listened again. It was frustrating to have to check and recheck. Before his beating, his hearing had been excellent as required for an agent in the field, but now, his left ear played tricks on him. Sometimes he could almost hear normally, it seemed, but often any input was wiped out by the slightest background noise, so it was practically useless.  His instincts weren’t. His sixth sense for survival was still in high gear and it told him that something was wrong.  Near the door, he quietly reached into a drawer and took out a flashlight and his Colt.38. He opened the door to the hallway and treaded lightly onto the strip of oriental carpeting that made a path around the U-shaped bannister built around the home’s wide stairs and landing to the upper floor. On all sides there were bedrooms where guests and his sister slept. At the end of the hall on the left was his mother’s. He opened the door nearest to their room and looked in on Lisel and Nils. Both were asleep and undisturbed. 

Downstairs, Haugland went silently from room to room without using the flashlight, creeping through the large stue or living space and into the kitchen and dining room. Nothing unusual. He returned to the hall that led out to the front door and worked his way back to the study by the garden. At the French doors, there was a faint light from a new moon caressing the glass panes.  Haugland listened. He heard nothing, but his eyes caught an irregularity with the doors and going over, he discovered that they had opened and shut, but not completely. Moving as softly as smoke, he gently opened the door and looked out.

The pine forest beyond the grounds was dark and impenetrable. There was no wind, no call of night animals. He cocked his head again, straining, then heard a sound to his right. Easing back the hammer on his gun, he went forward stealthily, then stopped. A cat emerged from a bush close to the house and came out to serenade him. It was Tomsin, his mother’s cat.

Disgusted, Haugland drew back and returned to the door to the study. At the patio’s edge, he turned the flashlight on and shined it on the flagstones. There in the light’s yellow pool, he found two partial prints. Looking closer, he saw that they had been made by wet boots, probably a man’s. He straightened up and pushing the doors into the room, looked for signs inside on the wood floor, but found none. They only appeared to be outside going in.  He knelt down and looked closer for any depressions in the Oriental rug in the center of the study, but he could only see his own feet in passing. Further investigation in the hallway revealed nothing more. It was as though a ghost had come and drifted into the house, dissipating through the roof. He went back and closed the door. He was positive that something had been moving in the house, probably outside his door upstairs, but whatever it was, it was gone. 

About The Quisling Factor

Treason. Espionage. Revenge. In the aftermath of WWII, ex-intelligence agent Tore Haugland tries to adjust to life in his newly freed country with the woman he loves. But he still has to testify against a Norwegian traitor—one of the monsters of the German occupation—whom he helped to capture.

When mysterious notes threaten Haugland and his family, he must choose between protecting them or bringing to justice the man who tortured him and destroyed the village that hid him. Challenged by injuries and recurring nightmares, he will have to rely on his former training and old Resistance friends to rescue his wife from the traitor who will do anything to keep Haugland from testifying.

J.L. Oakley

has established a reputation for writing outstanding historical fiction set in the mid-19th century to the Second World War.

In 2013, she received the Bellingham Mayor’s Arts Award and the Chanticleer Grand Prize for Tree Soldier, a novel set in the Forest Service, a Depression-era program in the Pacific Northwest. In 2017, Janet won the Goethe Grand Prize for The Jøssing Affair, the 2018 Will Rogers Silver Medallion and two WILLA Silver Awards.

 Visit her on her:

And follow her on Twitter @JlOakley.

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New book: The Quisling Factor

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The sequel to the award-winning The Jøssing Affair

By J.L. Oakley

Bestselling author and BestSelling Reads member J.L. Oakley has released the long-awaited sequel to her award-winning Second World War novel, The Jøssing Affair.

The first book told the story of the Norweigian jøssings, or patriots, who fought a resistance action against the occupying Nazi German forces during the Second World War. Aided by the “Shetland bus,” secret connections by civilian and partisan sailors across the North Sea, they risked their freedom and their lives, pursued by Nazis and Norwegian collaborators.

“When I first began my research for this sequel to The Jøssing Affair, I recalled the memoirs of several heroes in the Norwegian Resistance,” says author Janet Oakley. “They told of their dangers and grand adventures, but I was also struck by what they did after the war.

“In May 1945, ordinary Norwegian citizens wanted to get back to some of sort of normalcy. But first, they would have to relive the atrocities of the past five of occupation carried out by Germans and in some cases, their own countrymen. Beginning in the summer of 1945 war criminal trials began across the country. One of these quislings was Henry Oliver Rinnan.

“There are two historic stories going on in The Quisling Factor: the war crimes trial of Norwegian Henry Oliver Rinnan, a real-life monster who worked with the Gestapo out of Trondheim, Norway and the tragic story of Telavåg. Both real-life stories are what drives this sequel and its characters.”

About The Quisling Factor

Treason. Espionage. Revenge. In the aftermath of WWII, ex-intelligence agent Tore Haugland tries to adjust to life in his newly freed country with the woman he loves. But he still has to testify against a Norwegian traitor—one of the monsters of the German occupation—whom he helped to capture.
When mysterious notes threaten Haugland and his family, he must choose between protecting them or bringing to justice the man who tortured him and destroyed the village that hid him. Challenged by injuries and recurring nightmares, he will have to rely on his former training and old Resistance friends to rescue his wife from the traitor who will do anything to keep Haugland from testifying.

J.L. Oakley

has established a reputation for writing outstanding historical fiction set in the mid-19th century to the Second World War.

In 2013, she received the Bellingham Mayor’s Arts Award and the Chanticleer Grand Prize for Tree Soldier, a novel set in the Forest Service, a Depression-era program in the Pacific Northwest. In 2017, Janet won the Goethe Grand Prize for The Jøssing Affair, the 2018 Will Rogers Silver Medallion and two WILLA Silver Awards.

 Visit her on her:

And follow her on Twitter @JlOakley.

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Summer time, and the reading is easy

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Monday musings

By Scott Bury

The season is here. The big parties that traditionally open the season have happened, despite all advice to the contrary. Weekend visits to the cottage or beach have turned into weeks-long vacations and road trips.

And that means that summer reading season has started, as well.

What is summer reading?

Summer reading has come to mean, for most, reading one or more of the blockbuster bestsellers, the ones heavily promoted by one of the five major commercial publishers, a new release by one of the reigning bestselling authors, or an earlier book that’s been turned into a movie.

This summer, that second category is not likely to be as big a factor, as most cinemas are closed. The closest will doubtless be something that’s been adapted for the smaller screen by a streaming service.

(Speaking of streaming services, there seems to be a new one vying for my monthly fee every week. And much of the content looks fascinating. But that’s a subject for a later post.)

For me, summer reading means trying to catch up with a large number of books I’ve bought or been given over the past twelve months.

Books to surprise and delight

The books I look forward most to reading are less well-known, by less well-known authors. Independent writers, new and emerging writers, and authors not promoted by big commercial corporations.

Often times, that means I have to turn to my friends for recommendations, or scour sites like Goodreads and, of course, BestSelling Reads, for new books to read.

So given all that, here are some of the books I look forward to reading this summer:

  • Hiding Scars, by Winnipeg writer Richard Zaric, the story of immigrants to western Canada during the First World War and the Winnipeg General Strike of 1919
  • What Had to Be Done by DelSheree Gladden
  • Beautiful Finale by Raine Thomas, the fourth, and final book of the House of Archer rock romance series

Okay, those last three are well-known, bestselling authors, but I like them, so …

  • The Winnipeg General Strike by Michael Dupuis, a book I bought a year ago on the centennial of the great, nation-shaping event
  • The Quisling Factor by J.L. Oakley, the follow-up to the excellent World War II drama set in Norway, The Jossing Affair, which I hope to see very soon

That should be enough for one summer.

I know what you avid readers are thinking: that’s not so many for three months! In my defence, I have also been working hard on finishing my oft-promised, and oft-delayed second Dark Age novel, The Children of the Seventh Son.

While that’s with alpha- and beta-readers and an editor, I have also been working on a new (or renewed) Hawaiian Storm mystery, Dead Man Lying.

So it’s going to be a literary summer for me.

What about you?

What are your summer reading plans? Tell us in the Comments.

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Summer reading season will soon be here

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While there is some unexpected weather in the Rockies, summer is coming up fast. And even though the COVID-19 pandemic has thrown a wrench into many plans, there’s no reason that readers are looking forward to a book, or a lot of books, for reading under the warm sun, on the dock, or on a rainy day.

You know by now that your favorite BestSelling authors would never let you down! Here are the best summer reads that you can download to your e-reader for warm weather entertainment.

Samreen Ahsan

Once Upon a [Fallen] Time

If you love stories about medieval castles, lovers bound by destiny, characters steeped in reality and a plot shaded by fantasy, you will love the second book in the Stolen Series.

“Pure reading bliss!”

Scott Bury

Wildfire: Wine Country Mystery #1 by Scott Bury

Wildfire

A hot, dry summer in California’s wine country heats up mystery and love for a law-school grad. After fleeing from wildfires that sweep through the winery, Tara finds her employer’s body in the ashes. Was it an accident, or hiding a murder?

“It starts out at a run, and keeps you hooked til the end.”

David C. Cassidy

Velvet Rain

An occult paranormal love story set in a long hot summer in the Midwest. Drifter Kain Richards has mysterious abilities that put him on the run from a shadowy government agency.

When he falls for a beautiful and sensible Midwest farmwoman, his past puts them both in danger. With failing health and strength, he must find the will to save himself, his love—and the world.

“Exceptional writing on a par with Stephen King.”

M.L. Doyle

The Bonding Blade

Can the embodiment of an ancient goddess live a balanced life in modern times?

The second book in the Desert Goddess series is a rich, tense, action-packed and often hilarious urban occult fantasy that takes the reader from Minnesota to ancient Mesopotamia.

“Fun, funny, dark, serious: a joy to read.”

DelSheree Gladden

In What Had to be Done

Anna Elizondo is going on three years of bad days. Finding her ex-best friend living in her new home town and still hating her with a passion does nothing to improve her outlook for better days. If Anna can’t find a way to make things at least tolerable with Felix, it’s going to be a very long summer.

“Great read for teens.”

Seb Kirby

Double Bind

This psychological thriller cum science fiction mystery is perfect for a summer read. You won’t be able to predict what Bridges is dealing with.

“So compelling that you’re drawn in from the start. “

Sydney Landon

NEW: Nicoli, the ninth novel in the Lucian & Lia series

Out now!  

Nicoli Moretti, the top lieutenant of the Moretti crime family, falls deeply in love for the first and only time in his life with the one woman he should not have: the daughter of a rival mafia family. 

“The best in the series.”

Alan McDermott

Gray Genesis

A Tom Gray prequel and the newest thriller in this bestselling series.  

SAS Sergeant Tom Gray leads 8 Troop to disrupt Taliban operations in Afghanistan and stop them from kidnapping a world-leading virologist and unleashing a new kind of warrior.

“His most explosive adventure yet!”

Toby Neal

Wired Ghost

In the latest Paradise Crime thriller, security specialists Sophie and Jake find themselves trapped underground in a lava tube, engulfed by darkness and heat, struggling to outrun a deadly force that consumes everything in its path.

“Adrenaline overload!”

J.L. Oakley

Timber Rose 

In 1907, the best families did not approve of their daughters taking up mountain climbing. And when Caroline Symington elopes with a working-class man who works for the new Forest Service, her father disowns her.

Caroline builds a new life, but when her ruthless uncle muscles his was into the Naitonal Forest, Caroline must take a stand to defend the man and land that she loves.

“A talented writer with a fantastic concept.”

Raine Thomas

Meant for Her

In this bestselling baseball romance, photographer Sierra Stratton’s uncanny sense about people tells her the sexy and brooding major-league baseball player Evan Dorsey is he’s suffering. She wants to be the one to help him—but Evan has some mysterious enemies.

“I love the characters, the dogs, the plot and the surprising twist!” 

D.G. Torrens

Broken Wings 

A bomb-disposal expert in the British Army and a newspaper editor are brought together unexpectedly and fall in love immediately. But when Joshua is posted to Afghanistan, it will change Angelina’s life forever.

“A beautiful love story and tribute.”

Gae-Lynn Woods

A Case of Sour Grapes - mystery by Gae-Lynn Woods

A Case of Sour Grapes

Wine, women, and song. What could possibly go wrong? Everything, it seems, for private investigator wannabe Maxine Leverman. Cheating spouses, dead bodies, and a Mexican drug cartel. Who knew a gal’s first day at work could be so exciting—and dangerous?

“Enticing and enjoyable!”

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Do current events affect fiction?

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Photo by Nijwam Swargiary on Unsplash

Monday musings by multiple bestsellers

There is much happening in the world today. Events are reaching the lives of more and more people, more deeply than is usual in our fragmented, digitally distanced society.

If fiction offers a mirror to society, how do fiction writers incorporate the events of the day they write? BestSelling authors muse about how current events may seep into their writing.

David C. Cassidy, horror

David C. Cassidy

As a fiction author, I often find it useful—and necessary—to incorporate current events or topics into my writing. To me, it brings a sense of urgency and legitimacy to the story when you can bring our world into the ones I create.

Sometimes, I’ll be direct and work an event into a story because it’s a definitive part of the narrative; it simply has to be there. My novel Velvet Rain, being a time-travel thriller, has several historical events in it, as well as “current” events with respect to the time period. Other times, I’ll make passing references to real-world events because it adds realism and impact. As a whole, I think readers enjoy that kind of thing—it makes a connection between what they have experienced in their world and the one they’re being drawn into with my stories.

J.L. Oakley, historical fiction

J.L. Oakley

Writing historical fiction can always be a way to remind the gentle reader that some issues have been around for some time and as justice, progress is made, there are always steps back and then forward. Or maybe tell the story of a real person who might have been left out of the narrative by having a character interact with that person.

Certainly writing about Kanakas or Hawaiians in the 1860 Pacific northwest is always a jolt to those who love to party in their boats out in the San Juan Islands. Few know that their beloved Friday Harbor was once known as a Friday’s Harbor, named after the Hawaiian shepherd whose hut was just up the hill. His story was erased.

Seb Kirby

Seb Kirby, thriller, psychological thriller and science-fiction

I think this happens anyway, whether the author plans it or not. Each book is a kind of projected future – unless it’s self defined as historical. And as William Gibson says: Imaginary futures are always… about the day in which they’re written. Which means all sorts of stuff about the current world seeps into everyone’s story telling. This is why books written thirty years ago are of their time, just as our books will be of our time. So, I don’t believe in incorporating real  current events. Better to let our stories speak for themselves of the times in which we live. 

DelSheree Gladden, romance, paranormal, fantasy and mystery

DelSheree Gladden

I try not to include specific current events in my writing, because it does date the stories. However, I do think the hard topics brought up by specific events can be incorporated into fiction as a way to discuss difficult subjects in a safer space than what social media provides in many cases. In fiction, a tough topic can become personal to the reader, and hopefully give them a different perspective.

Fiction creates something of a buffer, because the characters aren’t real. Their opinions aren’t coming from a friend or family member on Facebook they feel they have to reactor respond to. They can take in the story without the pressure to respond publicly, and hopefully it can sink in and resonate.

Gae-Lynn Woods, mystery, thriller, comic thriller

Gae-Lynn Woods

I think it’s inevitable that current events, or more accurately the impact of those events, winds up in my writing. Current events on a personal / local level or a national or international level have triggered each of my stories, although my books usually come at those events from an angle, rather than head on.

The very real, horrific death of James Byrd, Jr. sparked the idea for Avengers of Blood. That book is not his story, but unaddressed racial tensions from decades ago, and how they carry into the present, became the story. Like Sheree, I want to avoid dating my stories, but when an event strikes me deeply, it’s something I need to explore.

Scott Bury, historical fiction, biography, fantasy, mystery

Scott Bury

Fiction writers never create their stories out of nothing. Even the farthest-out fantasy of the weirdest world has seeds in the reality of today and history. 

Fiction gives readers a new lens to view the events of history and current times. Readers can then see the events, other people, trends and ideas from a different perspective. In that way, fiction can increase sympathy and empathy, and bring us together.

Wildfire: Wine Country Mystery #1 by Scott Bury
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Volcano House

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A Hawaiian mystery Thursday teaser

By J.L. Oakley

Photo by Cedric Letsch on Unsplash

Kilauea, Hawaii, 1889

The lava lake glowed, its light reaching up into the deep night sky like a living thing. As the volcano belched, coughed and hissed, its light created wavering red and gold images on the ‘ohi’a trees and giant hapu’u tree ferns that dared to grow so close. From the crater’s belly, a tall column of cloud rose to the stars.

Almanzo Almeida stood on the long veranda of Volcano House and watched the party of twenty guests and their guides depart for Little Beggar on Pele’s Throat a half mile away. It would be a good night to descend onto the floor of Kilauea Crater. Their candle-lit lanterns twinkled in the dark like little fairy lights in counter march to the heavens above. Some of the guests, he suspected, wouldn’t want to go all the way across to the far lake, but might stop to pull out some thin glass threads of Pele’s Hair.

Volcano House, 1877

From outside the long ranch-style hotel, Almeida could hear the late night guests chatting around the great stone fireplace inside. At this elevation, nights at Kilauea could be chilly, even cold. The fireplace was always the focal point of the establishment overseen by the superb hospitality of Colonel and Mrs. Malby. Almeida patted his stomach. The food was outstanding, too, something that always amazed visitors, including Mark Twain, who came some years back. No matter if you came up the new carriage road from Hilo or came from Punalu’u by tram and horseback, Volcano House stood out as a first class hotel next to a volcano on a tropical island in the middle of nowhere: a jewel in the Royal Hawaiian Kingdom’s crown.

Volcano House restored, now the Volcano Art Center.

Out in the dark, a horse nickered down by the stables. Almeida pulled out his chain watch. Under the soft glow of a lantern he checked the time, then looked down in the direction of the stables. Shortly, a light appeared and began to swing back and forth. So Casper DeMello was back. Almeida put on his jacket. Moments later he was heading down across open ground, his only light a candle in his lantern.

Down by the low shed that served as a waiting station for guests, a shadow emerged.  

“What did you get this time? Anything good?” Almeida asked.

“Yeah, yeah. They nevah gonna miss it. Stupid tourists.” The young Portuguese man set his lantern up on a wide stump. When Almeida added his, the area bloomed with light.

DeMello pulled a bag of gold coins, a lady’s watch and chain, a silver comb out of a satchel and set them on the stump. Other items of value were added, all of them sparkling in the candle light.

“Were you careful?” Almeida asked as he handled one of the gold chains, weighing it back and forth through his fingers.

“Course I’m careful. It’s all stuff dropped on the steamer and the tram. The rest I just nipped. I was plenty careful.”

“Hmph.” Almeida grunted. It wasn’t easy getting up to the hotel. Tourists who came by a steamer to Punalu’u went from tram to road cart to horseback. It took hours. Almeida opened the bag of coins and counting them all out on the stump, he gave half to DeMello. “Once again, you did good.” Almeida gathered up the stolen items and put them back into the satchel. “When do you go back?”

“Tomorrow. I’ll catch the W.G. Hall going back to Honolulu.”

“Good. Got to keep these things irregular.”

A burst of laughter from inside Volcano House sliced the thin night air. Both men froze and looked blindly in that direction. Almeida shielded his eyes from the lanterns to see more clearly. As his eyes adjusted to the dark beyond the corral, he saw no movement on the veranda. He began to relax.

“I betta go,” DeMello said. He shouldered a haversack and picked up a walking staff leaning against the corral rail.

Almeida pointed to the haversack. “What’s in that?”

“Nuthin’. Just paper.”

“Let me see.”

DeMello scowled. “What’d you think? I’m cheating you?”

“Just curious. That’s nice leather. Nice silver clasp. That a—a thistle?”

DeMello shrugged. He unlocked the clasp then flipped open the flap. “See? Papers.” He pulled a packet of papers wrapped with a heavy cotton cord half-way out. The mouth of the haversack sagged wider.

Behind the packet Almeida could see another packet and a Scribner’s Magazine. “Where’d you get this stuff?”

“Ho’okena.”

Almeida’s eyes grew sharp and wary.

DeMello pulled the packet out further. A title was neatly handwritten on the front page, but all Almeida could read were the words, “Bottle Imp.”

“See? Papers.” DeMello grasped the straps tighter. He jammed the packet back in, but when it wouldn’t go in straight, Almeida grew suspicious and jerked the haversack out of DeMello’s hands.

“Hey!”

“What is this?” Almeida lifted out a long, sharp letter opener. The jewels in the silver handle sparkled in the lantern light—green, white and ruby. At the top was a thistle. “Cheating me, were you?”

“Cheating? You forget we both thieves, only I take all the risks.”

“But we must share.” Almeida hung the straps of the haversack on his shoulder. He turned the letter opener around in his hands. “I’ll keep it. Once I sell it, I’ll split the money.”

“No! It’s mine. I found it. Give it back—”

DeMello’s words ended in a cry as Almeida grabbed DeMello’s walking stick and slammed it on his head. DeMello staggered back, his hands pressed to his head. Blood began to flow between his fingers. His vision blurred. The last thing DeMello saw was Almeida’s sneering face and the letter opener raised high.

Volcano House

Auntie Bee Takahashi is turning 80 and her friends in the U’ilani Book Lovers Club are planning a big celebration up at historic Volcano House.

Plans take a dangerous turn when a long missing manuscript of The Bottle Imp, Robert Louis Stevenson’s great horror story, shows up among Bee’s stack of books. Tied to an unsolved murder 125 years old at the old Kilauea hotel, someone doesn’t want the crime to come out.

When weird accidents and mysterious happenings threaten Auntie Bee and members of her book club, her great-niece crime reporter Wendy Watanabe will have to step in to keep her safe. At the heart of her investigation, are the secrets behind two warring families spanning four generations and a land grab.

Find it on Amazon.

J.L. Oakley, historical fiction

J.L. Oakley

writes award-winning historical fiction that spans the mid-19th century to WW II. Her characters come from all walks of life, but all stand up for something in their own time and place.

Her books have been recognized with a 2013 Bellingham Mayor’s Arts Award, the 2013 Chanticleer Grand Prize, the 2014 First Place Chaucer Award, 2015 WILLA Silver Award and the 2016 Goethe Grand Prise.

When not writing, Janet demonstrates 19th century folkways, including churning some pretty mean butter.

Her most recent historical novel, Mist-chi-mas: A Novel Of Captivity, launched in September 2017. It is set in 1860 on San Juan Island in Pacific NW during a time with the British Royal Marines and US Army jointly occupied the island—peacefully.

Visit her on her:

And follow her on Twitter @JlOakley.

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