A tree soldier in the Pacific Northwest

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A historical Thursday teaser from the novel

By J.L. Oakley

Camp Glacier

A couple of hours later, Hardesty was standing along the edge of the camp parade ground with the rest of his young squad mates. They all looked like they wanted to bolt.  He followed their line of sight. Behind the camp craggy, white mountains painted amber by the afternoon sun leered over trees most likely bigger than anything they’d ever seen. They had startled him too when he first came out. 

“Holy cow. Do you see them trees?” Costello dropped his duffle next to Hardesty with a thud.

“I see them,” Spinelli said on the other side of him. “Wonder which place is ours?”

Hardesty wondered too. The long wooden buildings lined up in neat rows looked no different from the last camp he had been in. Even the smoke brought the smell of roasted ham out of a building that suggested the cook house. It made his stomach growl.

A military type officer showed up with a clipboard and ordered the group to gather around. “Welcome to Camp Kulshan, F-23, one of the oldest Civilian Conservation Corps camps in the state of Washington. We make campgrounds, roads, bridges and fight fires. Three departments run it here: the Army, Department of Agriculture and Department of Labor. During your time here you’ll not only be sending money home to your folks, but will have the opportunity to finish high school and learn a trade. There’ll be more about that later. For now…”

Spinelli turned to Hardesty.  “That true about the girl and the bear?” he whispered.

“Where’d you hear that?” Hardesty was surprised news traveled so fast. 

“At the store. I didn’t know there were bears there. Only bear I seen was at the Bronx Zoo.”

“I think you’re safe,” Hardesty said. 

“…shots. You’ll line up at the infirmary and get your paperwork put away. Dinner is being held for you in mess.”

Spinelli slapped his arm. “I’m doomed.”

Hardesty followed the group into the barracks and once given the parameters of his new world, tossed his duffel on the nearest lower bunk. Identical to the last one he had been in, the barracks had double-decker bunks lining the fir plank walls on both sides, twenty-five to a side. The fir floors were worn and creaky. In the middle, trunks had been dragged in and left in a jumbled stack. He spied the worn army-drab one that was his.

My whole life’s in it. That’s all I have left.

“Hey,” Spinelli said. He held in his hand the mimeographed camp paper, The Mountain Call: An Avalanche of Events. “Mind if I go up?”

Photo by Devin Lyster on Unsplash

“Nope. The place is all yours.” Hardesty smiled. He liked Mario Spinelli the minute they met at the train station in Seattle. He acted tough, but he had seen the kid’s eyes when they left the train two hours later and headed east into the rugged Cascade Mountains. He was scared. The whole lot of them, their false bravado trying to cover the fact that they were about to meet their match: the forests of the Pacific Northwest.  For some reason, at the camp orientation, the kids started following him around.

Hardesty just wasn’t sure he wanted to be nursemaid. All he wanted to do was mind his own business and keep his head low.

Spinelli spread out his bedding and slapped his pillow before climbing down. “Do you remember where we take a leak?”

“Bath house. Out the front door to the left. How’s your arm?”

“Not a twinge,” he answered, even though he moved his shoulder like it had been struck with a bat.

Lights were out at 9:45. Taps called not long after. Soon the camp descended into snores and stirrings.  Except for a family of raccoons ambling forth in the direction of the mess hall’s garbage cans, no one was out. While the camp slept, the woods leaned over the buildings and grounds, jagged black guardians poking into the starry night sky. For once there was no hint of rain.

A faint light appeared at one of the barracks doors as a figure stepped out onto the small porch and slipped down the stairs. When he was sure of the direction he wanted to go, the flashlight went out. A few yards and he was in the forest.

It was chilly under the boughs of cedar and hemlock, a musky scent of lichen and moss caught in the damp air. At an old stump, some ten feet across, Hardesty found a spot on the other side, where he threw down his jacket on a log. When he became accustomed to the space around him, he turned the flashlight back on.

He didn’t like breaking curfew, but he had a hard time sleeping. Too much crowding in after a long day. Thirty hours ago he had been in Oregon. Now he was as far away as he could get without leaving a region he had grown to love. He hoped that he could start fresh again.

He took a brass medallion about the size of a silver dollar out of his pocket. He rubbed the hard, stamped surface between his fingers and read the words like Braille:

••LOYALTY•CHARACTER•SERVICE••

Honor Award

C.C.C.

The words rose in an arch over two wooden barracks set in the woods. Smoke from a chimney curled up to touch the middle “R” in the word “CHARACTER” overhead.

Hardesty knew the words by heart just like he knew the way the scars lay on the palms of his hands.

He had been proud when he was given it, but truth be told, some days he didn’t feel like he deserved it.

And why he ran away again.

Tree Soldier

One mistake can ruin a life. One mistake can transform it.

A government forestry camp set deep in the mountainous forests of the Pacific Northwest might not seem the likely place to find redemption, but in 1935, Park Hardesty hopes for just that.

Blaming himself for the fiery accident that caused his brother’s disfigurement and the death of the bootlegging woman he loved, planting trees, building bridges and mentoring tough, homesick New Jersey boys brings him both penitence and the renewal of his own self-worth.

When he wins the love of Kate Alford, a local naturalist who envisions joining the Forest Service, which allows only men, he also captures the ire of a camp officer who refuses to let her go.

Just when he is ready to seek his brother’s forgiveness, he is falsely accused of rape. Every aspect of his life he has tried to rebuild is put in jeopardy.

In the end, the only way he can defend himself is to tell the truth about his brother, but he risks being kicked out of the camp. Worse, he could lose Kate’s love forever.

Get it on Amazon.

J.L. Oakley, historical fiction

J.L. Oakley

writes award-winning historical fiction that spans the mid-19th century to WW II. Her characters come from all walks of life, but all stand up for something in their own time and place.

Her books have been recognized with a 2013 Bellingham Mayor’s Arts Award, the 2013 Chanticleer Grand Prize, the 2014 First Place Chaucer Award, 2015 WILLA Silver Award and the 2016 Goethe Grand Prise.

When not writing, Janet demonstrates 19th century folkways, including churning some pretty mean butter.

Her most recent historical novel, Mist-chi-mas: A Novel Of Captivity, launched in September 2017. It is set in 1860 on San Juan Island in Pacific NW during a time with the British Royal Marines and US Army jointly occupied the island—peacefully.

Visit her on her:

And follow her on Twitter @JlOakley13.

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Why do audiences prefer fiction to fact?

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Monday musing on the difference between accuracy and believability

By Scott Bury

I recently saw a post by an author questioning the difference between historical accuracy, historical authenticity and believability. It’s an interesting question to me, because I write historical fiction and biography.

Accuracy and authenticity are not the same. In fact, they are in many ways opposed. Authenticity is more closely related to believability, and hinges on good story-telling. It has to “feel” right to the audience. Accuracy, unfortunately, is not always as exciting or captivating as a good, fictional story.

Hollywood to the … what’s the opposite of rescue?

An egregious example of this crucial difference is Ben Affleck’s 2012 movie, Argo. It purports to tell the true story of American diplomats taken hostage during the Islamic Revolution in Iran in 1979. Except … it’s not all that true.

From the reaction, and the Academy Award nominations, the film really struck a chord with audiences, particularly Americans. For Canadians, though, not so much.

The film as shown downplayed the role of the Canadian Ambassador to Iran, Ken Taylor, who took huge risks to get American citizens false identity papers and passports as Canadians, so they could get out of Iran.

The film played fast and loose with other facts, too — such as scenes showing how Americans were turned away from other embassies, and exaggerated the danger the American diplomats faced.

But it was a thrilling movie that won awards for writing, acting, editing and directing. Why? Because, forty years after the events, it echoed the audience’s impressions of the events.

Score one for authenticity over accuracy.

(Almost) stole my idea

Enemy at the Gates was one of the most powerful, moving films I had ever watched. With Jude Law, Rachel Weisz, Joseph Fiennes and Ed Harris, it portrays the Battle of Stalingrad in 1942 and 1943. Supposedly based on the book of the same name by William Craig, it has very little to do with the history of the events.

Yes, there was a Russian sharpshooter named Vasily Zaytsev (played by Jude Law) at Stalingrad, and a German sharpshooter brought from Berlin especially to eliminate him(Harris). And yes, there were female fighter in the Soviet ranks, including another sharpshooter or sniper named Tania Chernova (Weisz), and she and Zaytsev had a relationship.

But the details are all fictional. Red Army soldiers did not charge at the invading enemy without rifles, and the sniper’s duel between Zaytsev and Major Konings, not Konig, took only a few pages of the book.

The book is a meticulously researched, accurate account of the lead-up, battle and aftermath of Stalingrad. It was very useful as I wrote my biographical trilogy about a Canadian-born Red Army soldier, Army of Worn Soles, Under the Nazi Heel and Walking Out of War.

The movie was a hit. Its depiction of the darkness and brutality of war, the squalid living conditions of the soldiers and the people of Stalingrad, the horrifyingly blasé attitude toward killing other people are what made it seem real to audiences. And we are willing to accept the horrors as real. Somehow, we can accept the idea of Soviet officers sending hundreds of unarmed men to charge into machine-gun fire, even if it never happened.

Sticking to the facts

It’s very important to me to get the details right in my fiction. I spent years researching the Eastern Front Trilogy (mentioned above). I spoke with the subject of the book, my father-in-law, Maurice Bury at length about the details that he witnessed. And I lost count of the number of books and websites I read and consulted for the larger sweep of the story, for the statistics and dates that key events happened on. Even for the military units that took part in various battles.

Getting the weapons right was also important. One of the details that Maurice told me about, that really stuck with me, was his description of the immense Soviet “Stalin” tanks that were so heavy, they sank into the mud.

Or the numbers of horses that both sides used to haul men and machines across the landscape.

And the noise — the thing that he remembered the most.

Even when writing historical fiction, I find myself spending hours researching history. For example, I am working on a fantasy set in the Eastern Roman Empire of the early 6th century CE (most people know this as the Byzantine Empire). It’s a fantasy, so the facts really aren’t that important, but I can spend hours looking up how long it would take to travel by horse from Constantinople to Nicomedia, or the types of clothes Romans wore in 602 CE, or the cost of a night in an inn or a jug of ale.

It’s my effort to bring authenticity closer to accuracy.

Fortunately, I have been able to find most of the answers I need, such as the cost of a horse or the denominations of Byzantine coins; the types of weapons and armour used by Byzantine soldiers and cavalry; they kinds of ships used. Roman historians were thorough.

Why is it important?

Why indeed? Depending on the genre, readers tend to be very finicky about details.

With thrillers and mysteries, readers will let the author know about errors when it comes to guns and ammunition. With historical fiction and non-fiction, readers tend to already know a lot about their favourite eras.

It seems that while audiences are willing to excuse departures from fiction on the big things, they’re not so forgiving when it comes to the tiny details.

It’s perplexing. Why do you think that is?

Scott Bury

can’t stay in one genre. After a 20-year career in journalism, he turned to writing fiction. “Sam, the Strawb Part,” a children’s story, came out in 2011, with all the proceeds going to an autism charity. Next was a paranormal short story for grown-ups, “Dark Clouds.”

The Bones of the Earth, a historical fantasy, came out in 2012. It was followed in 2013 with One Shade of Red, an erotic romance.

He has several mysteries and thrillers, including Torn RootsPalm Trees & Snowflakes and Wildfire.

Scott’s articles have been published in newspapers and magazines in Canada, the US, UK and Australia.

He has two mighty sons, a pesky cat and a loving wife who puts up with a lot. He lives in Ottawa, Ontario.

Learn more about Scott on his:

Website   |   Blog    |  Facebook    |   Twitter

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Boxing Day teaser: The Bones of the Earth

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Photo by Tanya Prodan on Unsplash

Today is bestselling author Scott Bury’s birthday, so for this Teaserday we offer a sample of his first-published book, The Bones of the Earth. This is the opening of Chapter 2.

Look down. Two young men, boys really, walk across the meadows and forests on the southern slopes of mountains that rise gently, then heave up suddenly to angry grey crags occasionally topped by snow. One of the boys is very tall, with long yellow-gold hair. His long legs propel him swiftly across a meadow thick with yellow and purple flowers. He pays no attention to flies buzzing around him, to crickets and rabbits that leap out of his way.

His companion is smaller with tangled, long black hair. Blotches of soft black fuzz swirl around his chin and down his neck. He scurries to keep up with the blonde’s strides and is out of breath. They have been walking fast, nearly running, for hours. It is the solstice, some time past the year’s highest noon. Birds are quiet in the hottest part of the day, but insects chirp and hum and trill. Leaves on the trees are still a light green, not yet burned dark by the summer. The air is warm, not hot, not yet.

The dark one gets more anxious with every step. But all morning, the blonde boy has ignored him. The dark boy recognizes this trait in his friend: his ability to focus on one thing to the exclusion of everything else, for hours at a time. In their village, he was called “the dreamer,” or worse. Even in normal circumstances, you had to call him by name two or three times to get his attention. But now, he is following the trail of horsemen, mounted raiders, and no matter how many times the dark boy calls “Javor,” no matter how futile the quest, he cannot be pulled away.

Sometimes, it is easy to see the trampled grass or broken twigs and bushes, or a torn bit of cloth on a branch. Often, the light-haired boy seems to follow signs that his dark companion cannot see, and every time the dark boy doubts his friend and thinks they have lost the trail, he sees another sign—horse droppings, the surest of all, or once, a girl’s colourfully embroidered apron.

The dark boy begins touching every oak and birch tree they pass to pray to their spirits for protection, help, sanity for his friend. “You know, we keep going east. East is bad luck, Javor,” he puffs as they start up a slope.

Javor ignores that, too. At the crest of a ridge, he looks around, sees something that his friend cannot, continues at his same obsessive pace.

“You realize,” his friend says, trying hard to keep up, “that we fall farther behind them with every step we take. They’re on horses.” Still no response, so he reaches out and grabs Javor’s arm, forcing him to stop.

The blonde turns and looks at his friend without recognizing him. “Javor, we’re chasing mounted warriors,” the dark boy repeats. “We’ll never catch up.”

Javor blinks and looks uncomfortable. He seems to realize where he is, comes out of the trance he can put himself into.

“We’ve been chasing them for hours, and we have no more hope now of ever catching up to them than we ever did. Let’s go back home.”

“Home?” Javor says it like he has never heard the word before. “No. We have to get the girls back, Hrech.”

Scott Bury

can’t stay in one genre. After a 20-year career in journalism, he turned to writing fiction. “Sam, the Strawb Part,” a children’s story, came out in 2011, with all the proceeds going to an autism charity. Next was a paranormal short story for grown-ups, “Dark Clouds.”

The Bones of the Earth, a historical fantasy, came out in 2012. It was followed in 2013 with One Shade of Red, an erotic romance.

He has several mysteries and thrillers, including Torn RootsPalm Trees & Snowflakes and Wildfire.

Scott’s articles have been published in newspapers and magazines in Canada, the US, UK and Australia.

He has two mighty sons, two pesky cats and a loving wife who puts up with a lot. He lives in Ottawa, Ontario.

Learn more about Scott on his:

Website   |   Blog    |  Facebook    |   Twitter

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It’s science fiction and fantasy season

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Fantasy season begins for BestSelling Reads

Fantasy, science-fiction and occult horror books are some of readers’ favorite genres. The great news is that BestSelling Reads members have plenty of titles to offer you.

Here are some of the best fantasy, science fiction and horror books you’ll find, available from your favorite bestselling authors.

Samreen Ahsan

  • The Stolen series—historical fantasy
    • Once Upon a Stolen Time
    • Once Upon a Fallen Time
  • The Prayer series—romantic fantasy
    • A Silent Prayer
    • A Prayer Heeded

Frederick Lee Brooke

The Drone Wars dystopian science fiction series

  • Saving Raine
  • Inferno
  • The Drone Wars

Scott Bury

  • The Bones of the Earth—epic historical fantasy
  • Dark Clouds—urban fantasy

David C. Cassidy

  • Never Too Late —horror
  • HauGHnt—horror
  • The Dark—horror
  • Velvet Rain—science fiction
  • Fosgate’s Game—horror

M.L. Doyle

  • The Bonding Blade—urban fantasy
  • The Bonding Spell—urban fantasy

DelSheree Gladden

  • The Ghost Host series—romantic fantasy
  • The Aerling Series—urban fantasy
    • Invisible
    • Intangible
    • Invincible
  • Something Wicked This Way Comes series—urban fantasy
    • Wicked Hunger
    • Wicked Power
    • Wicked Glory
    • Wicked Revenge
  • Life & Being—paranormal romance

Seb Kirby

  • Double Bind—science fiction

Toby Neal

  • Island Fire—dystopian science fiction
  • The Scorch series—dystopian future

Corinne O’Flynn

  • Death Comes Ashore: Witch Island Mysteries Book One—paranormal suspense NEW
  • Midnight Coven Collections—paranormal romance
    • Forever Still
    • Immortal Oath
  • The Expatriates series—fantasy adventure
    • Song of the Sending
    • Promise of the Scholar
  • Ghosts of Witches Past—paranormal suspense
  • The Aumahnee Prophecy series—urban fantasy
    • Marigold’s Tale
    • Watchers of the Veil (with Lisa Manifold)
    • Defenders of the Realm (with Lisa Manifold)

Raine Thomas

  • The Ascendant series: science-fiction Romance 2014
    • Return of the Ascendant
    • Rout of the Dem-Shyr
    • Rise of the Faire-Amanti
  • The Firstborn Trilogy—young adult urban fantasy 2013
    • Defy
    • Shift
    • Elder
  • The Estilorian series
    • Deceive
    • The Prophecy (short story)
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Why we write what we write

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Photo by Colton Sturgeon on Unsplash

Romance, mystery, thriller, science-fiction … what makes an author choose to write in a particular genre? Your favorite bestselling authors reveal why they chose their literary path. This week, we continue with Kayla Dawn Thomas, David C. Cassidy, Scott Bury and J.L. Oakley.

Kayla Dawn Thomas

Romance

I’ve always been fascinated with falling in love, with everyone finding their perfect someone. While I read romance from all time periods, I like writing contemporary to show that people can still find love in this somewhat jaded, prickly world.

David C. Cassidy

Horror

For me, it was simply a case of being enthralled and inspired by Stephen King and Clive Barker at a young age. For me, they taught me two things. King: How to tell a story with “real” characters a reader cares about. Barker: How to imagine … and then to imagine more.

Scott Bury

Historical fantasy, non-fiction and mystery

When I was about 15 or so, I was into science fiction. I read a novella by Larry Niven featuring a detective named Gil the Arm. He served in a global police force, a couple of centuries in the future, so it was essentially a science fiction detective story. I was hooked!

When I started writing fiction, I felt frustrated by the expectations and tropes of genres: noirs, police procedurals, fantasy, science fiction … Plus, I am interested in many different types of stories. That’s why I not only write in different genres, I cross the boundaries as often as I can.

J.L. Oakley

Historical fiction

I’ve always loved history and even wrote a very serious thesis on Comanches as prisoners of war using primary materials from the National Archives and the Smithsonian Institute. My goal was to make it readable, not some high-faluting work that people wouldn’t understand. That’s what a publican historian is all about.

Writing historical fiction is another way to present history in an engaging way. When a reader becomes involved with a character facing the troubles of her time or just living life, you can teach about an era much more effectively. 

Take your pick

Whatever genre you like, BestSelling Reads members are authors who adhere to the highest professional publishing standards, dedicated to bringing readers compelling, enjoyable stories that leave you wanting more.

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Thursday teaser: Mist-chi-mas: A Novel of Captivity

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This week’s excerpt is from the historical mystery-romance

By J.L. Oakley

At six o’clock a sergeant came over to escort the women to Captain George Pickett’s quarters next door where Pickett personally greeted Jeannie and the Jenkins women at the door. For the second time that day she mused that she was the same height as the captain. With dark shoulder length hair, mustache and a long unruly goatee, Pickett was only a little over five and a half feet tall. What he lacked in height, however, she had already learned he made up in audacity, charm and a strong scent of Jamaican rum cologne. He offered her his arm and led her into the candlelit dining room.

Gathered around the table was a collection of men and women from the area. Pickett gave immediate introductions. “May I present Mr. and Mrs. Lyle Marshall of Port Townsend, my second lieutenant, James W. Forsyth, two British naval officers from the HMS Satellite, Lieutenant Fuller—Mrs. Jenkins’ brother visiting from Fort Steilacoom, and Andrew Pierce from the settlement of Seattle.”

The men rose as the women were escorted to their seats at the table. The Jenkins women were treated with courtesy, but from Lucy’s pout not enough. When Pickett pulled out her chair, Jeannie thanked him for his hospitality and sat down.

“Now, Mrs. Naughton,” Captain Pickett said as he sat down. “Do tell us all about your time in Kanaka Town. It has concerned us all, considerin’ someone has left his earthly bounds.” He put his napkin in his lap and sipped water from the crystal glass at his place.

Jeannie glanced around. The table was set just as fine as the officer’s table at the Royal Marine Camp with a linen cloth, several candlesticks spread out down the middle, and a large hurricane lamp set in the center. The candles cast soft yellow light on all the diners. Captain Pickett winked at her, but she pretended she did not notice. “An act of bravery, I might add,” Pickett went on. “Do tell.”

Jeannie wasn’t sure what account to give or whether it was a proper subject for the dinner table, but they seemed anxious to know about her time with the people of Kanaka Town, so she told them of her days there. When she was done, Pickett directed the dinner guests to a discussion of health in general. He sat at his place at the head of the table, his long hair curling at his jacket’s collar, like a country gentleman hosting guests at his estate. Jeannie could understand why Mr. Breed said he was popular with both military camps and civilians.

It soon became apparent that the women were not taken with her account. Mrs. Jenkins’ lips seemed to get acutely puckered as Jeannie went on. Mrs. Marshall, the merchant’s wife, burst out that the whole affair was unseemly.

“Don’t you think, Mrs. Jenkins, a woman should be more particular in what she chooses to undertake?” Mrs. Marshall’s rag curls banged against her neck.

“I do indeed. Don’t you, Mr. Pierce?”

Andrew Pierce was mid-bite on an appetizer of oysters. He looked startled, then blushed at Jeannie sitting next to him. “You caught me off-guard, ma’am. I’ll have to think on it.”

“I don’t believe that there is anything to think on,” said the captain of the HMS Satellite. “Women served valiantly in our hospitals in the late Crimean War. Miss Nightingale for one. An extraordinary woman. Saved many a soldier’s life.”

Mrs. Jenkins and the other ladies shrank back when the military men agreed. The matter of Jeannie’s incautious adventure was settled and to her relief, in her favor. The men agreed that containing the smallpox was imperative. It touched her deeply when they gave tender acknowledgment to her loss and the irony she could not help her son.

Dinner was served in the French style with all the dishes on the table and the serving plates assisted around. Pickett continued playing host, leading the conversation and letting topics flow from local politics to news of the social season. Occasionally, he’d interject, “Sir, ah believe that is the most interesting thing ah heard” or something to that effect. Jeannie found his accent hard to understand.

During the second hour, the conversation turned to more national subjects, though Jeannie noticed that by some unspoken agreement, they did not speak of the growing discord and talk of secession back in the States she had heard during conversations in Victoria. Instead,

the conversation settled on Pickett’s exploits in the Mexican war. The British officers were interested in the tactics of General Winfield Scott. Pickett obliged them with an arrangement of salt cellars and candlesticks on the table.

As he laid out the battlefield, Jeannie was amused to see that he had brought Mrs. Jenkins and the other women to a complete stop. Their fan-covered faces and asides were muffled. The officers leaned over and the battle began. When Pickett was done, salt had been spilled and a candlestick dripped its beeswax onto the linen cloth. To that, everyone clapped. The officers raised their glasses as Pickett returned to his seat in good cheer.

About Mist-Chi-Mas

In Mist-chi-mas, everyone is bound to something.

Jeannie Naughton never intended to run away from her troubles, but in 1860, a woman’s reputation is everything. A scandal not of her own making forces her to flee England for an island in the Pacific Northwest, a territory jointly occupied by British and American military forces. At English Camp, Jeannie meets American Jonas Breed. Breed was once a captive and slave — a mistchimas — of the Haida, and still retains close ties to the Coast Salish Indians.

But the inhabitants of the island mistrust Breed for his friendship with the tribes. When one of Breed’s friends is murdered, he is quickly accused of a gruesome retaliation. Jeannie knows he’s innocent, and plans to go away with him, legitimizing their passionate affair with a marriage. But when she receives word that Breed has been killed in a fight, Jeannie’s world falls apart. Although she carries Jonas Breed’s child, she feels she has no choice but to accept a proposal from another man.

Twenty years later, Jeannie finds reason to believe that Breed may still be alive. She must embark on a journey to uncover the truth, unaware that she is stirring up an old and dangerous struggle for power and revenge…

Find it on Amazon.

J.L. Oakley

writes award-winning historical fiction that spans the mid-19th century to WW II. Her books have been recognized with a 2013 Bellingham Mayor’s Arts Award, the 2013 Chanticleer Grand Prize, the 2014 First Place Chaucer Award, 2015 WILLA Silver Award and the 2016 Goethe Grand Prise.

In addition to historical fiction, J.L. has also written the Hilo Bay series of four mystery novellas set in the Hawaiian Islands. Her most recent historical novel, Mist-chi-mas: A Novel Of Captivity, launched in September 2017.

 Get to know more about Janet on her:

And follow her on Twitter @JlOakley13.

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