It’s no wonder that in summer, readers like to choose lighter fare. Romances, mysteries, thrillers. At the beach or on the dock, in the backyard hammock or on the cottage porch, we’re supposed to be reading books that don’t tax our minds and souls too much. We’re supposed to be on vacation, taking things easy, enjoying the weather and the outdoors.
But is that trope really true? Sure, I remember seeing lots of mysteries held up by people on lounge chairs by the ocean. Clive Cussler, Lee Child, the awful E.L. James, David Baldacci — thrillers and romances and books that do not ask you to think too deeply. But also, I have seen people reading more serious books, like The Girl on the Train or The Couple Next Door.
Various newspapers and blogs also recommend a wider range of books, from The American War by Omar El Akkad (if that one doesn’t make you think about our modern world, I don’t know what will). And of course, The Handmaid’s Tale is playing on TV right now.
How heavy are these books?
The thing about serious books is that many of them could be classified into a genre, which some readers and critics—and writers—describe as not as serious. Not “literary.” But many genre books have also turned out to be serious, to have an impact on the culture. Cormac McCarthy’s The Road can be seen as part of the post-apocalyptic science fiction genre, but it’s a deep, meaningful story about a father and son. Margaret Atwood has written several books, including The Handmaid’s Tale, that definitely fit into the science fiction category.
Independent authors are usually seen as definitely working within genres, and from a marketing point of view, that makes sense. The romance genre, for example, by far outsells, as a whole, every other category of fiction, including “serious” literary fiction. So do mystery and action thrillers.
The thing is, the high walls between genres are also breaking down. Writers are mixing up mysteries and science-fiction, thrillers and fantasy, and let’s not forget the burgeoning paranormal romance genre.
I myself like to blur the lines between genres. I have been working intermittently on a novel that combines the spy thriller with occult horror, called Dark Clouds. I have published one chapter, the introduction, as a short story. You can find it as Dark Clouds: The Mandrake Ruse.
BestSelling Reads members, independent authors, are not only skilled within their genres, but challenge the genre definitions with books that break the rules, cross genres and keep you from putting their books down before you get to the last page. Eden Baylee’s A Snake in Paradise and Charade At Sea, for example, combine mystery with adult-oriented romance. Renée Pawlish’s Reed Ferguson series moves the noir mystery into the current century, with a heaping helping of humor. Toby Neal and Emily Kimelman have teamed up with the Scorch Road series, combining the post-apocalyptic and serious romance genres. Samreen Ahsan has created a brand new genre, paranormal romances based on Muslim themes, in her Prayer series.
Each of these books does more than combine genres: they create something new, something exciting. A new kind of adventure for the reader.
What’s on your summer reading list?
Are you sticking with the easy reads, the reiterations of the same stories, or are you on the lookout for something new, fresh and original? Share what you want to read through the hot and quiet months, and we’ll send you a free e-book.