Monday musings: Writing style

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I think the first time I noticed a writing style, an author’s distinctive voice, was in Grade 5 when I read “Riddles in the Dark,” where Bilbo foils Gollum in The Hobbit. Since then, I’ve always valued an enjoyable writing style, sometimes more than the story.

I can still remember another story from my elementary school days: Ray Bradbury’s “The Fog Horn.” On foggy nights, a lighthouses’ foghorn draws a dinosaur like creature out of the depths of the ocean, whose voice sounded like a foghorn, too. I can remember the emotional impact on me of Bradbury’s beautiful prose describing the sound of the creature’s call, the loneliness and unrequited love it felt when it realized the tall, deep-voiced lighthouse was not another like itself.

Later, I discovered Samuel R. Delany’s Dhalgren, a novel that one of my teachers remarked no 15-year-old should read. Its frankly sexual content was a bit much for a teenager, but I savored the eloquent descriptions that set every sense on fire.

As a teenager, I got into science fiction and fantasy, but found the styles of Tolkien and C.S. Lewis were not as appealing, anymore. I liked a lot of the work of Philip K. Dick, although I found the quality and the style uneven.

I found Larry Niven’s style in his Known Space series was an almost perfect combination of description, action and interesting characters. His Gil the ARM series was the first example I found to combine science-fiction and detective stories, and that led me to Raymond Chandler, Dashiel Hammet and Ross MacDonald.

What do I mean by style?

For me, style involves mechanics like sentence structure and length and the variation in that; pacing of action and speech; and word choice. But it also grows out of the author’s choice of point of view and how detailed and lengthy their description is.

As a teenager I reveled in rich descriptions. Since then my tastes have, I like to flatter myself, become more balanced. I value complex, interesting and believable characters, people who are vulnerable and flawed and not always admirable.

But most of all, I like a good story, something that takes me somewhere.

In terms of more modern writers, I like the way George RR Martin combines evocative description, dozens of captivating characters and, most of all, many interweaving stories, each of which is compelling on its own.

Toby Neal is another writer who excels by creating characters you can connect with, and putting them in a story you cannot put down. She’s also expert in describing the setting—although she has a huge advantage, living in Hawaii. I also have to mention something that I find Neal does better than any other contemporary writer in English that I have found: she writes a socially and ethnically diverse cast of characters that accurately reflects the world we live in today.

Gae-Lynn Woods’ Cass Elliot series brings a large range of subtly-drawn characters into a story so dark, I couldn’t stop reading it.

Samreen Ahsan has created a unique style by blending Islamic mythology with contemporary romance, wrapped up in lush descriptions.

Dawn Torrens’ characters, Amelia and her family, as well as her stories, are drawn from the author’s own experiences.

The late Kathleen Valentine was an original writer. One of the more unusual aspects of her style was to write romantic stories about people older than their midlives—most romance is about young people.

I’m now reading Caleb Pirtle III’s Place of Skulls, where magnificently compelling and flawed characters in a detailed, horrifying setting drive three interwoven stories. I can only put it down when forced to.

Elise Stokes, Alan McDermott, Renée Pawlish, Emily Kimelman, DelSheree Gladden, Claude Bouchard, Raine Thomas, Frederick Brooke, Seb Kirby—in fact, all the writers in this group share that ability to create unforgettable and believable characters and put them into situations where you just have to find out what happens next.

The evolution of taste

Like everything else, my taste in literature has evolved over the years. I don’t read as much science fiction or fantasy as I used to, although I still enjoy a good mystery.

But one thing hasn’t changed: I love a writer who can use original prose to bring me into the story along with, or inside, characters that fascinate me.

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How have your tastes in writing changed over time? What do you find most important in a writer’s style? Leave a comment below.

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Thursday teasers: Pick your summer beach reads

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The long weekend is coming up fast, with summer vacation season following immediately. And BestSelling Reads has perfect summer reads for to load onto your e-reader and take down to the beach, dock, hammock or patio for those long, lazy days.

Wine, women, and song — what could possibly go wrong?

A Cass Elliot companion mystery novel by Gae-Lynn Woods.

 

Discover how Cassidy Jones gains superpowers in her first action-packed adventure.

The first Cassidy Jones adventure by Elise Stokes.

 

A con man came to town to steal their money, but a beautiful woman stole his heart.

Book 1 in the Boom Town Saga by Caleb Pirtle III.

 

The past and the present collide with stunning results in the latest Reed Ferguson mystery.

A Reed Ferguson mystery by Renee Pawlish.

 

An artistic voyage in crime.

A James Blake art-crime mystery by Seb Kirby

 

A secret can tear you apart or bind you forever…

A love story by D.G. Torrens.

 

 

One of the boys of summer meets his match in this captivating baseball romance. 

A New Adult novel by Raine Thomas. 

 

Messing with Chris Barry’s crowd will result in dire consequences. 

A Vigilante series crime thriller by Claude Bouchard.

 

Maui is a perfect retirement home for a once-famous singer—until he’s found dead. But is it murder?

Dead Man Lying

A Lei Crime Kindle World mystery by Scott Bury.

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What your favorite authors are working on

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The authors of BestSelling Reads have more than 200 titles for you to enjoy, but we’re not just waiting for you to read them. We’re all hard at work on our next books.

Here are what some of your favorite writers are working on.

Alan McDermott, author of the Tom Gray series

My latest work is set in the US. It has a female lead who teams up with an ex-soldier who has been targeted by the government. They race against time to find out why the most powerful men in the world want them dead. It is packed with intrigue and action.

It’s not technically part of the Tom Gray series. Having done that and the MI5 spinoff, Trojan, I decided to try something new, though a few familiar characters are involved in this one, too. I’m excited about it, as it means I can go off in one of three directions with my next book, be it a Tom Gray, Andrew Harvey or another one with Nolene.

I woke up with the idea of someone having a bullet fly past his head and running for his life.  I watered that seed, and now it is turning into what could be my best book yet.

D.G. Torrens, author of the Amelia series and other titles

I am currently working on a standalone romance/drama. My working title is ‘Finding You”: however, this will probably change before I publish it.

This is a romantic/drama that is filled with every emotion you can imagine … to be released in the autumn.

My inspiration for this story came to me around 2 one morning, when I woke up from an amazing dream. It was one of those dreams you don’t want to wake up from! A dream all consumed by love.

 

Claude Bouchard, author of the Vigilante series

Claude Bouchard

I’m currently working on Make it Happen, the thirteenth installment of my Vigilante Series. Related to Discreet Activities, the sixth of my series, Make it Happen also deals with terrorism, namely with attacks conducted by the revived Army for Islam which are being financed by the larger State of Islam.

As with all my thrillers, it was inspired by the sad world we live in.

Raine Thomas, author of the Estilorean and Ascendant series

I’m currently writing Driving Tempo (a New Adult Rock Star Romance). It’s Book 3 in the House of Archer series. I just released Book 2, Unsteady Rhythm on May 22.

This series was inspired by my love of music, which I find incredibly inspirational. I always listen to music when I write, so combining the two into a romance series was only natural!

Seb Kirby, author of the James Blake series and Sugar for Sugar

I’m closing in on completing a new psychological thriller with the provisional title “The Anatomy of Truth.” I hope it will be available by September.

It’s a stand-alone story, but it shares some features with my earlier psychological thrillers, Each Day I Wake and Sugar for Sugar. The location is similar: the South Bank and the East End of London. My unlikeable detective, Stephen Ives, also plays a significant role.

I became interested in cases where criminal defence lawyers work to undo a miscarriage of justice that has put a client away for a life sentence on flimsy identification evidence and how they might be able to launch an appeal. But the story quickly developed a life of its own. It’s developed a complexity that has surprised me. I’m working hard to render that in a straightforward form.

DelSheree Gladden, author of the Date Shark, Aerling, Destroyer, Handbook and other series

I was working on Memory’s Edge Part 2, but couldn’t get Eliza and Baxter out of my head after finishing “Firebrand” so I switched over to the next Eliza Carlisle Mystery, which is so far unnamed.

This will be the third full-length book in the Eliza Carlisle Mystery series. Book 2, “Firebrand,” is being edited right now and I couldn’t resist starting book three when I got an idea for a new murder mystery plot.

Inspiration: I’ve been reading the Lacey Luzzi series by Gina LaManna, so of course food was on my mind! With Eliza Carlisle (from my series) being culinary school, how could I not end up creating a murder investigation around a cupcake?

Gae-Lynn Woods, author of the Cass Elliot crime series

I’m working on the next Cass Elliot Crime Novel. Cass and Maxine track down a serial rapist and believe they’ve caught the man who attacked them both. But have they?

This is the third book in the Cass Elliot Crime Series. Maxine Leverman turned up in the second novel, Avengers of Blood, and wouldn’t leave me alone until I wrote a book just for her. That became the first Cass Elliot companion novel, A Case of Sour Grapes. I’m back on track after that little diversion, and Maxine is playing nicely with the rest of my characters. For the moment!

Inspiration: When I started writing The Devil of Light, I knew that Cass had been raped and that she became a cop to find the man who attacked her. Then Maxine turned up and told us that she’d been attacked by the same man. Now both women are pushing to find this guy and settle things with him. I’m not sure where the story will take us, but you can bet a few bodies will pile up along the way.

 

 

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Meet the author Monday: Seb Kirby

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In our new series, we’re doing some basic introductions for each of our members. This week, it’s Seb Kirby.

How many books have you written?

I’m currently hard at work on my seventh.

Please explain your various series and standalone books.

All the books I’ve written so far are thrillers. The three books in the James Blake series came first. I was interested in telling stories with an international perspective. After drugs and guns, art theft is the third largest international crime. One estimate puts it at $6 billion each year. Organized crime is behind many of the most notorious art thefts. Stolen works of art are used as a form of currency between mob members.

I have a long-term interest in art. Before I took up full-time writing, one aspect of my work as a university academic gave me insights into methods used to restore paintings and sculpture. It seemed natural to draw on this in creating the world that James Blake is drawn into. Uncovering what lies beneath a work of art and its history is also a good vehicle for developing the mystery and suspense that I’ve worked hard to capture in the series.

How have the main characters developed or changed over the course of the series?

I wrote the first book, Take No More, as a one-off. It’s a story complete in itself. Then, the inevitable happened. The characters I’d created began to take on a life of their own and the further stories Regret No More and Forgive No More demanded to be written. In Regret No More art theft and a sophisticated conspiracy to cheat collectors out of millions takes center stage, while Forgive No More tells of the wider conspiracy that underlies this branch of organized crime and takes on a much more ambitious, historical dimension. Each is a story complete in itself.

The main character, James Blake, grows in stature, from an ordinary man unwittingly caught up in these events to become a wiser and more assured champion for truth and honesty.

How has your style changed over that same period?

This is a good point to talk about my other stand-alone stories. Alongside the more conventional approach to thrillers in the James Blake series, I have a strong interest in psychological thrillers. This first took shape in Double Bind, a doppelgänger story about a hero struggling to make sense of a profound existential crisis. I wrote this as a thriller and was surprised when it was received as sci-fi. On reflection, this is not too shocking as, since a teenager, I’ve read a great deal of sci-fi and much of that must have been formative in the telling of the story.

In writing Double Bind and in seeking to capture the mind-set of the main character, I was drawn to a more minimalist style than the one used in the James Blake stories where conventional third person, past tense is used throughout.

Double Bind introduced me to writing in first person, present tense and I’ve carried that through in three stand-alone psychological thrillers set in London. Each Day I Wake and Sugar for Sugar are available now. I’m currently close to completing a third story, as yet untitled, to be released in September. These books do not form a series as such but they have a commonality of place—the South Bank and East End of London—and share some characters. Each is a stand-alone story and can be read in any order.

Has the way you write, or your process, evolved?

My writing process has evolved with each book, as described above. There are many ways to write a novel and I think I’m still investigating some of the many possibilities.

But underlying it all is storytelling. That’s the real currency that we all work with.

When do you write? Is there a time of day, or a period during the week? I don’t adopt a set pattern in writing. I just set myself the goal of achieving something tangible every day. As Dorothy Parker put it: “Writing is the art of applying the ass to the seat.” That’s my guiding principle.

Is there a particular place you like to be to write?

I used to write in notebooks whenever I had the opportunity—traveling to work by train, grabbing a few minutes at lunch-time. Now I write full time, I tend to work at a (not too tidy) desk in my home office. But I still use notebooks to capture ideas as they come, whenever they come.

About Seb Kirby

Seb Kirby was born and raised in Birmingham, UK.

Get to know more about Seb at:

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Thursday teaser: Sugar for Sugar

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By Seb Kirby

Justin Hardman looks at himself in the mirror as he shaves. He likes what he sees. A man approaching forty but with the bright-eyed zeal of a twenty-year-old. A man in control.

He knows where he stands in this troubled world. He despises those who don’t have money and make an issue of being poor. Half of society feeds off their incompetence. Yet he hates even more those who are wealthy and pretend to help those on whose backs their money is made. He admires the charity CEOs who pay themselves six figure salaries. At least they’re honest enough to admit they are running a real, profit making business. He would never support the hypocrites who say they are skimming from the poor. The poor deserve all they get. What matters is being honest about the realities of this life.

When he needs money, he knows where to get it and how to get it. Because he knows what money is and how the wealth that comes with it was created.

He knows about his distant family ancestors who owned slaves working on the sugar plantations of Trinidad, those who were compensated well for the loss of their human property when slavery was abolished. He knows that the work of those slaves, whipped until bleeding as often as not in the treadmills used to process tobacco or sugar, lives on in the money that changes hands today. The indelible mark of his family is still on it. He knows that those who cannot face up to such truths about where their money comes from do not deserve to keep it.

He knows of those other family ancestors who benefited from the rape of Africa, profiting from the shipping companies that transported slaves and returned with tobacco and cotton from the New World. And he knows of the smarter branches of the family who distanced themselves from the brutality of the trade by profiting even further from the import and export duties levied on each shipment that came in or out of London, Liverpool or Bristol, while all the time showing an exemplary face to those around them, priding themselves on the donations they made to the fine buildings that still grace those cities.

Yes, it’s the wealth created by his ancestors and those like them that still flows as a flood tide of ever increasing strength through today’s London.

And he knows of those later family ancestors whose crimes, though vile and treacherous to many, were so long concealed by the passage of time that they were able to pass themselves off as altruistic patrons of the arts without risk of ridicule. The spoils of their dreadful deeds circulate still.

Yes, he knows his true place in this great scheme of things. What does it matter if in this generation he was born with none of the advantages he might have expected had his recent family not contrived to squander these fruits of the past long before he could inherit them? Unlike those around him who took entitlement for granted, he hadn’t been to a good school nor sent on to a place kept waiting for him at Oxbridge.

The only advantage Justin Hardman inherited was an insatiable ambition to succeed by any means possible and an unstoppable desire to recover what is owed from the past. And he knows this matters more than any accident of birth. His is the stronger form of entitlement. The wealth that should be his, the dead labor that has been passed down through the ages, might be now in the hands of others but it is still rightfully his. It is only appropriate that he must do all he can to now take it back.

He washes and dries his face and chooses his clothes for the day from the walk-in dressing room nearby. The choice of over twenty designer Italian suits and over a hundred handmade shirts would overwhelm some. But he knows he has style and can let instinct make the selection. The steel-grey suit. The blue-check shirt.

This is the most important thing he’s learned. The appearance of wealth attracts more wealth. That’s how to stay ahead in this life and get even. Something his father had never understood when he told his son he’d never make anything of himself. If his father could see him now. But he couldn’t. His father had died a loser.

About Sugar for Sugar

How far would you go to uncover the secrets of your past?

Issy Cunningham has made a new life for herself but that’s all about to come crashing down.

If only she could recall what happened that Valentine’s Eve, she would be able to tell the police what really took place.

But those memories won’t come because there’s too much in the past that troubles her.

How can she set the record straight when her past won’t let her be?

What reviewers are saying

“What a great book.”—J L Edwards

“Fast paced thriller”Dawn

“I simply whizzed through this book.”—Ashrae

“Exciting read”—TerryHeth

“A super read”—Susan Hampson, Books From Dusk ‘Til Dawn

Get it on Amazon.

About the author

sebkirby2Seb Kirby was literally raised with books: his grandfather ran a mobile library in Birmingham, UK and his parents inherited a random selection of the books. Once he discovered a trove of well-used titles from Zane Gray’s Riders of the Purple Sage, HG Wells’ The Invisible Man and Charles Dickens’ A Tale of Two Cities to more obscure stuff, he was hooked.

He is author of the James Blake thriller series, Take No More, Regret No More and Forgive No More, and the science-fiction thriller, Double Bind. Sugar for Sugar is his latest release.

Visit his

And follow him on Twitter @Seb_Kirby.

 

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Year-end Teasers: The 2016 spotlight

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Your favorite bestselling authors have been very busy over the past 12 months. Altogether, BestSelling Reads member authors have published 46 titles. Here’s a quick look back at all the great reading available for your enjoyment this year.

Claude Bouchard

Scott Bury

Barb Drozdowich

Julie C. Gilbert

DelSheree Gladden

Emily Kimelman

Emily’s Sydney Rye Kindle World also launched in May 2016.

Seb Kirby

 

Toby Neal

Renée Pawlish

Kathleen Valentine

Even though Kathleen passed away at the end of October, she published two books in 2016:

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Thursday teaser: Sugar for Sugar

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The new psychological thriller by Seb Kirby launches tomorrow.

Today is your last chance to pre-order before the price goes up.

sugarforsugarPROLOGUE

Mark Dankworth shifts the luxury SUV through the gears. He’s late for the early morning meeting in London that he’s tried his best to postpone. But no one will cut him any slack. So, here he is, peering through the pre-dawn November darkness at the twists and turns on the country road ahead and wishing he was already there.

In truth, he knows that the conditions outside are less than ideal. He should reduce his speed, given the poor visibility ahead, as pockets of fog lurk here and there in the hollows along the way. But why spend all that money on a top of the range performance vehicle if it isn’t fit to cope with conditions like this? He’d be the one to pay if he failed to make the meeting on time.

He presses down harder on the accelerator and feels the reassuring surge of speed as the vehicle responds.

The song being played on the sound system is one he doesn’t like. In fact, it annoys him. Why would his favourite band include something like that on what is otherwise a near perfect album? Better to skip that track, move on to the next.

He takes his eyes off the road for the briefest moment.

The sound system responds to a prod of his finger as the despised track is skipped.

His eyes return to the road.

He doesn’t see it before it hits.

He feels it first. A dull thud as something collides with the front of the SUV, sending a shudder through the vehicle.

Then the blurred image of something heavy hurtling across the windscreen and disappearing behind him.

He grips the steering wheel, maintains onward direction. He is safe.

What was it? A dog? A badger?

Something tells him it was no dog, no badger.

Instinct tells him to apply the brakes. The vehicle slows and then stops.

The road around him is dark and still. There is no other traffic. No one about.

He unlocks the door, climbs out and begins to walk back along the road, towards whatever it is he’s collided with.

There’s something there, lying broken at the side of the road.

As he moves closer, he can tell that his instinct was right. It’s no dog, no badger. He peers through the fog and sees that it’s a young girl. A schoolgirl. Aged about ten. Somehow, her school bag is still with her, tangled now around her neck.

He panics. If he comes any closer, if he stays, they’ll know it was him. When they analyse the scene, they’ll discover that he was driving too fast. His life will be a mess.

He walks away. Back to the SUV. He knows he should phone to report the accident. They may still be able to save the girl. But then they will know it’s him when they trace the call.

Someone else will find her. Make sure she gets the attention she needs. It will come out all right.

He feels secure again as the SUV envelops him in its comfort and responds to his need to escape.

Further down the road, there’s the school bus the girl must have been heading towards.

As he passes, he hopes that no one will notice him.

About Sugar for Sugar

How far would you go to uncover the secrets of your past?

Issy Cunningham has made a new life for herself but that’s all about to come crashing down.

If only she could recall what happened that Valentine’s Eve, she would be able to tell the police what really took place.

But those memories won’t come because there’s too much in the past that troubles her.

How can she set the record straight when her past won’t let her be?

You can pre-order Sugar for Sugar at a special price only before launch day on November 9.

About the author

sebkirby2Seb Kirby was literally raised with books: his grandfather ran a mobile library in Birmingham, UK and his parents inherited a random selection of the books. Once he discovered a trove of well-used titles from Zane Gray’s Riders of the Purple Sage, HG Wells’ The Invisible Man and Charles Dickens’ A Tale of Two Cities to more obscure stuff, he was hooked.

He is author of the James Blake thriller series, Take No More, Regret No More and Forgive No More, and the science-fiction thriller, Double Bind.

Visit his

And follow him on Twitter @Seb_Kirby

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Teaser Thursday: Each Day I Wake

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By Seb Kirby

EachDay-KirbyCHAPTER 1

I opened my eyes.

It felt like someone else had opened them.

My lungs were on fire. Each breath a screech of pain.

This broken body, pushed almost beyond repair, wouldn’t let me move except to raise my head from the pillow and snatch a glance around before the agony of this simple action overtook me and I collapsed once more.

The room was cool and white. The light above was clinical.

Where was I?

I touched the pristine sheets.

I was in a hospital bed.

Why was I here?

How long had I been here?

I realised then that I knew the answer to none of these questions. And that there was another question I was afraid to ask.

Who am I?

CHAPTER 2

He told me his name was Josh Healey and that he was a clinician attached to the Trauma Ward.

“It’s good to see you’re looking stronger today.”

“You mean you’re surprised I’ve made it.”

“Don’t think that way. But if you mean you were badly injured, close to death, then I’d have to say yes.”

I struggled to understand. “What happened?”

“You don’t recall?”

“There’s nothing. Nothing. Until I wake up here.”

“They pulled you out of the water, from North Dock at Canary Wharf. A near drowning.”

“Some kind of accident?”

“No, you’d been beaten, before you entered the water. That’s the cause of the bruising and swelling to your arms, chest and abdomen.” He looked away. “Best not to dwell on that now. You’ve been in deep shock. But you’re now in recovery. The coldness of the water helped, I’m sure. Slowed the possibility of neurological damage. And we’ve restored your electrolyte balance. Your prognosis is good.”

“How long have I been here?”

He looked at the chart. “Three days.”

“And where is here?”

He smiled to reassure me. “We’re a few miles away from Canary Wharf, in Hammersmith Hospital.”

“What was I doing there, at Canary Wharf?”

“That’s what we’re hoping you’ll tell us. Once you’re better.” He took a step back. “No need to worry about this now, build your strength, give it time.”

CHAPTER 3

Then it came.

The first memory.

Clear, straight from nowhere, like a bright light piercing the darkness.

I’m seeing it, living it. It’s me, looking on, seeing myself doing all this.

I’m with a woman.

She’s young, just turned nineteen, pretty.

Cathy.

Smart, sexy.

We’re talking about our meeting in a pub and how I brought her to this place.

This dark room with wood panelled walls covered with books.

Making love to her.

My adultery.

No, I’m not that kind of person. Not the kind to lie to my wife.

I have a wife.

I have a wife.

Yet here I am with Cathy.

Something intense. Something I don’t want to see. Something I don’t want to have to recall.

My hands round her throat, squeezing the life out of her. Watching her body go limp.

About Each Day I Wake 

A gripping psychological thriller by Seb Kirby

Young women are going missing and only Tom Markland knows the terrifying truth. When he’s pulled out of the North Dock, he comes round not knowing who he is or how he got there. All he knows is that someone is killing young women. He sees them die each time he closes his eyes. The only way he’s going to recover his identity is to discover who is doing the killings. 

Each Day I Wake will keep you turning page after page. 

Get it on Amazon.

About the author

Seb KirbySeb Kirby was literally raised with books – his grandfather ran a mobile library in Birmingham, UK and his parents inherited a random selection of the books. Once he discovered a trove of well-used titles from Zane Gray’s Riders of the Purple Sage, HG Wells’ The Invisible Man and Charles Dickens’ A Tale of Two Cities to more obscure stuff, he was hooked.

He’s been an avid reader ever since.

Other inspirations include Franz Kafka’s Metamorphosis and The Trial, George Orwell 1984 and Animal Farm, Aleksandr Solzhenitsyn’s One Day In The Life of Ivan Denisovich, Fahrenheit 451 by Ray Bradbury, Boris Pasternak’s Dr Zhivago, Arthur Koestler’s Darkness At Noon, Pale Fire by Vladimir Nabokov, Ken Kesey’s One Flew Over the Cukoo’s Nest, Brave New World by Aldous Huxley …

He is author of the James Blake thriller series, Take No More, Regret No More and, coming soon, Forgive No More, and the science-fiction thriller, Double Bind.

Visit his

And follow him on Twitter @Seb_Kirby

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Wordless Wednesday: Each Day I Wake

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A gripping psychological thriller
By Seb Kirby

EachDay-KirbyYoung women are going missing and only Tom Markland knows the terrifying truth.

When he’s pulled out of the North Dock, he comes round not knowing who he is or how he got there.

All he knows is that someone is killing young women.

He sees them die each time he closes his eyes.

The only way he’s going to recover his identity is to discover who is doing the killings.

Each Day I Wake will keep you turning page after page.

Get it on Amazon.

About the author

Seb KirbySeb Kirby was literally raised with books – his grandfather ran a mobile library in Birmingham, UK and his parents inherited a random selection of the books. Once he discovered a trove of well-used titles from Zane Gray’s Riders of the Purple Sage, HG Wells’ The Invisible Man and Charles Dickens’ A Tale of Two Cities to more obscure stuff, he was hooked.

He’s been an avid reader ever since.

He is author of the James Blake thriller series, Take No More, Regret No More and Forgive No More, and the science-fiction thriller, Double Bind.

Read more about him on his BestSelling Reads Author page.

Visit his:

And follow him on Twitter @Seb_Kirby.

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Focus Friday: Forgive No More

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ForgiveNoMoreCover

The third James Blake thriller

By Seb Kirby

Prologue

Sera Monastery, Lhasa

Everyone knew him here as one of the most devout, one of the few who had risen to the rank of Ajahn. Devout because of the time he spent in meditation and prayer. He was honored they would think of him in this way within the monastery, given he was not Tibetan.

It was the center of his universe, the place he went back to in order to replenish his life, to regenerate his energy and regain what was lost when he went out there, into the wider world.

The last time he’d been out into that world he’d killed fifty men and not a few women without a thought. Because he served a higher goal. And because, when looked at from here, from the center of the universe, the deaths were not important. In the great flow of energy passing through this place and through him as he meditated and chanted, the lives of these people were as nothing. Could be nothing.

Still a slew of naked thoughts ran through his mind and threatened to disrupt the state of truth to which he was all the time aiming in these two hours alone in the monastery cell — why had he been concerned that the little girl would have to die? Why did he have to meet her? Why did she have to speak to him before the killings at Town Lake? He’d checked the lists of those who’d died. The little girl had been spared. But that was not the point. It was the simple fact that her innocence had touched him and he’d been made to care what would happen to her. It would not leave his thoughts. Try as he might to let these ideas go, they hung on, confronting him.

With time and mental effort, his mind focused once more on the flow of energy through him, the flow that gave him the glimpse of the divine.

He turned to face the door as a novice samanera came for instruction.

Strange, he thought, that he was so far away now from the world where they knew him by a different name.

Wolfgang Heller.

About Forgive No More

Dark secrets revealed in a thrilling climax

James Blake and his family can only be safe if the truth about the conspiracy threatening their lives is brought into the full light of day. Follow James in this intriguing thriller as the conspiracy widens and he must return to Italy to confront those seeking to destroy his family. Forces from around the world, from Washington and Tijuana to Munich and London, are ranged against him. As the mystery comes to a resounding climax, he discovers that dark secrets have survived down the centuries and are in the hands of those who threaten all those dear to him.

From international bestselling author Seb Kirby, Forgive No More continues the intriguing story of crime, corruption and conspiracy begun in Take No More and Regret No More. It is a must-read for fans of Harlan Coben, Daniel Silva and all who enjoy a thought provoking and exciting thriller.

Exclusively on Amazon.

About the author

Seb KirbySeb Kirby was literally raised with books – his grandfather ran a mobile library in Birmingham, UK and his parents inherited a random selection of the books. Once he discovered a trove of well-used titles from Zane Gray’s Riders of the Purple Sage, HG Wells’ The Invisible Man and Charles Dickens’ A Tale of Two Cities to more obscure stuff, he was hooked.

He’s been an avid reader ever since.

He is author of the James Blake thriller series, Take No More, Regret No More and Forgive No More, the science-fiction thriller, Double Bind, and the upcoming second installment of that series.

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And follow him on Twitter @Seb_Kirby

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